The best YouTube cameras in 2025: our favorite content creation tools!

Woman in kitchen presenting cookery video on YouTube
(Image credit: Getty Images)

Choosing the best camera for YouTube isn’t a one-size-fits-all decision. The right camera for you depends on the type of videos you want to create and the kind of channel you’re running. That’s why we’ve put together a comprehensive guide featuring a variety of cameras to suit different styles, needs, and budgets.

Our list includes everything from all-in-one compacts and versatile mirrorless cameras to high-end cinema cameras and rugged action cameras for adventurous creators. Not sure where to start? Scroll to the bottom of the page for tips on how to choose the perfect camera for your YouTube channel.

We’ve personally tested every camera on this list and believe they’re the best options for YouTubers right now, each catering to different shooting styles. Whether you're vlogging, filming tutorials, or producing cinematic content, you’ll find something here that fits your needs. For those who prefer using a smartphone, we also have a separate guide to the best phones for video, so be sure to check that out.

Sebastian Oakley
Sebastian Oakley

For nearly two decades Sebastian's work has been published internationally. He has been taking photographs since the days of film, but is also keenly interested in video, having used many cinema cameras from the likes of Sony, RED, ARRI, and everything in between. He brings this expertise to picking out the best cameras for YouTube.

The Quick List

The best YouTube cameras in 2025

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Best for vloggers

(Image credit: Gareth Bevan / Digital Camera World)
The best Sony camera for vlogging and content creation

Specifications

Sensor: APS-C
Megapixels: 24.2MP
Lens: Sony E mount
LCD: Vari-angle
Viewfinder: None
Maximum continuous shooting speed: 11fps for 116 JPEGs
Max video resolution: 4K

Reasons to buy

+
Great quality 4K with (mostly) no crop
+
Generous grip for a small camera
+
Hugely improved battery life
+
Better quality streaming options

Reasons to avoid

-
No AI processor means limited subject recognition
-
Misses out on cool auto-framing tricks
-
Tiny body doesn’t pair well with bigger lenses
-
No IBIS
Buy it if:

✅ You like the idea of changing lenses: Sony's other affordable ZV cameras all have fixed lenses, the ZV-E10 II gives the option to make your footage stand out a little more with one of the hundreds of E-mount lenses available.
You want great audio without a separate mic: the built-in audio in the ZV-E10 II is way beyond other cameras and rivals a decent external mic.

Don't buy it if:

❌ You want a very simple camera: while the ZV-E10 II is not complex, it isn't as easy to use as other Sony cameras like the ZV-1F or ZV-1 II.
You want more of a hybrid camera: you'll get some decent photos here, but the viewfinder and more photo-focused controls on Sony's a6xxx range are a better hybrid experience.

The Sony ZV-E10 II is first-and-foremost a vlogging and content creation camera aimed at video. A big upgrade from the first version, it improves on every criticism of Sony's menus and video from the first model, now with next to no crop on footage and easy-to-use touch menus.

It packs a large and well-performing internal microphone (with clip-on muffler) and offers some very good 4K video. For serious video makers, you won't find any complex oversampling or multiple codec recording options here. This camera is for anyone who is taking their video a little more seriously than recording on a phone but isn't quite ready or willing to jump into a more professional level of videography.

The ZV-E10 II is not going to be a first-choice photography camera, as it lacks the EVF that photographers would expect, however, with the same sensor and processor as the Sony a6700, its specs are decent enough. If you are looking for something more hybrid, then cheaper cameras in the Sony A6xxx series (a6000 or a6400) are a better, although aging, option.

The ZV-E10 fits in an APS-C sensor, which means it is able to make use of Sony's extensive range of E-mount lenses. However, due to its very compact body, the camera does not balance well with larger Sony lenses, but Sony has a good range of quality smaller optics, as well as a huge number of third-party lens options. The body also features an articulating touchscreen which is vital for vlogging from low or awkward angles.

The ZV-E10 II has a very appealing price tag, it's a shame that there is no in-body image stabilization, but for a very specific audience looking for the perfect balance between affordability and features, this camera hits the nail on the head.

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Featuresoffering a compact body with 4K video and excellent built-in microphone makes it the perfect all-rounder for YouTube4 / 5
Performanceit performs extremely well for a video camera, but might not be your first choice it you want a good stills camera too4 / 5
Valuea little pricey, but worth it for the versatility it offering in a compact package 4.5 / 5

Best overall

five star review

(Image credit: Jon Devo)
The best video camera overall

Specifications

Type: Mirrorless
Sensor: CMOS sensor without Low Pass Filter
Megapixels: 24.2
Lens mount: Leica L
Screen: 3-inch vari-angle touchscreen, 1.84m dots
Viewfinder: EVF, 3.68m dots
Max continuous shooting speed: 30fps (electronic shutter)
Max video resolution: 6K (Full-sensor readout)/29.97/25/24/23.98p

Reasons to buy

+
Value for money
+
Best-in-class stabilization
+
Professional video functionality
+
Unlimited recording
+
- Filmic image quality

Reasons to avoid

-
No tally lights
-
No CF Express slot
-
Flip-out screen blocked by cables
Buy it if

✅ You want the best of both: With open-gate 6K 30p, 4:2:2 10-bit, LongGOP, SSD recording,, and 24MP stills this is a content creator's dream!

✅ You rely on stabilization: When you don't have a gimbal, the incredible in-body image stabilization (up to 6.5 stops) outperforms even higher-specced competition.

Don't buy it if:

❌ You rely on a tally light: A rare miss for the otherwise excellent video features is the lack of a tally light, to indicate when the camera is recording.

Mirrorless cameras are the most popular choice for serious video shooting – offering you an interchangeable lens system that means you can pick the right lens for what you are shooting.

The Panasonic Lumix S5 II is our top pick for videographers - but its full-frame sensor make it a great camera for shooting stills too. It builds on the original Lumix S5’s tough compact frame, class-leading 5-axis in-body image stabilization, and excellent color science.

In my review, the most significant new addition to this camera is the Phase Hybrid autofocus system that combines PDAF with Contrast Detect AF to provide 779-area metering. The S5 series was always a favorite, but this newer model is now much, much better at getting the focus right on low-light and moving subjects.

We were also impressed that the Lumix S5 II gives you truly unlimited 4K/60p 4:2:2 10-bit recording internally - and FHD/180p for slow-motion effects- making it a highly versatile camera for content production. And at $2500/£2000, we think the Lumix S5 II is astonishingly good value for money.

Read our full Panasonic Lumix S5 II review for more details

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Featureswith 6K video, great image quality for photos and unlimited video record time its perfect for content creators5 / 5
PerformanceIts 6K video is outstanding and its filmic stills look amazing - its certainly a brilliant hybrid camera 4.5 / 5
ValueOffers great value for money in a feature packed setup5 / 5

Best for content creatives

(Image credit: Rod Lawton/Digital Camera World)
A superb mirrorless camera that's stuffed with video-centric features.

Specifications

Type: Mirrorless
Sensor: Four Thirds
Megapixels: 20.3MP
Screen: 3-inch vari-angle touchscreen, 1.84m dots
Max video resolution: 4K
Mic input: Yes
Headphone jack: Yes

Reasons to buy

+
6.5 stop image stabilization
+
Numerous video enhancements
+
V-Log L included
+
Bigger buffer for stills

Reasons to avoid

-
Not worth upgrading from a GH5
-
Smaller 3-inch screen
-
Bigger battery but little gain
Buy it if:

✅ You do a lot of handheld shooting: The image stabilization goes up to 6.5 stops (lens dependent) and delivers shake-free footage.
✅ You'll be shooting outdoors often: The GH5 II's magnesium body is resistant to splashes and dust, and freezeproof down to -10 °C (14°F) for any cold weather spells.

Don't buy it if:

❌ You want BIG resolution: The 20.3MP sensor is outclassed by several options on this list and isn't the most generous for landscape or fine art images.
❌ You need dependable run and gun AF: The GH5 II's autofocus for video is effective if you stay still, but not in the same league as rival cameras with phase AF.

The clue is in the name. A Mark II version of anything is likely to be a refresh rather than a whole new camera, and it’s the same here. But while the GH5 II might appear superficially similar to its predecessor, it incorporates a large number of improvements and additions that make quite a difference when you add them together – and they are even more impressive given the price. While sequel cameras like the Lumix GH6 have since come along, the GH5 II still represents excellent value for money.

This camera dates from the era when Panasonic was sticking with its own DFD contrast-based autofocus even though rival makers have switched to faster and more reliable phase AF. Panasonic's DFD AF has steadily improved, but it still tends to hunt and lose contact with subjects – which is bad news if you are trying to film yourself.

With an articulating display that opens out to the side, it won’t be blocked by a shotgun mic mounted on the hot shoe, so you can vlog obstruction-free, and it also has a full-sized HDMI-out, for easy-to-access clean video – perfect for pairing with an Atomos Ninja V, for example. The Lumix GH5 II would be best suited to a more advanced YouTuber who can make the best use of its advanced video settings and won't be fazed by its quirky AF.

Read our full Panasonic Lumix GH5 II review for more details

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Features4K video and 20MP stills offers a great output for many applications for YouTube4 / 5
PerformanceFor Micro Four Thirds this is a good as it gets, solid video performance handheld and great photos too 4. / 5
ValueGood value considering its specs 4 / 5

Best for YouTube Shorts

Editor's Choice

(Image credit: Basil Kronfli / Digital Camera World)
A highly versatile waterproof action camera, with new features for editors.

Specifications

Type: Action camera
Sensor: 1/1.9-inch
Megapixels: 27MP
Screen: Dual (2.27-inch rear, 1.4-inch front)
Max video resolution: 5.3K
Mic input: Bluetooth or 3.5mm with optional Media Mod
Headphone jack: Bluetooth

Reasons to buy

+
Excellent stabilization
+
Dual-channel audio
+
Useful 1/4" 20 tripod thread
+
Higher resolution than Osmo Action 4

Reasons to avoid

-
Struggles in low light
-
Misses out on magnetic mounting
-
Very similar hardware to 11 Black
Buy it if:

You share across platforms: If you edit the same clip across platforms the 8:7 sensor will help you
You want to record your speed: This is the last GoPro with built-in GPS, a great feature for recording your movement

Don't buy it if:

You want external microphones: GoPro will need you to buy an external media mod to connect a microphone
You want to shoot in low light: GoPro cameras don't love working in lower lighting.

The Hero 12 Black is the latest in GoPro's supremely popular line of action cameras. For YouTubers, it's an excellent choice for a number of reasons – especially for those who want to create content for YouTube's vertical video service (a.k.a. its TikTok clone) YouTube Shorts. This is because of the 8:7 ratio sensor, introduced in the Hero 11, which allows for lossless cropping in all different aspect ratios.

The Hero 12 Black captures 5.3K at 60fps, 4K at 120fps, or 2.7K at 240fps if you're looking for super slow motion shots. GoPro's HyperSmooth stabilization is better than ever before, the updated hardware and software make it even more powerful and video quality is very good, except for in dimly lit environments.

Low-light performance isn't much better than it's ever been, though the Hero 12 Black does introduce a few new features, including support for Bluetooth microphones and headphones. You can now shoot HDR video and shoot in a flat Log profile for maximum dynamic range and latitude when it comes to colour grading. It's not a big jump over the Hero 11 Black – but for serious content creators, it's worth the investment.

Read our full GoPro Hero 12 Black review for more.

GoPro Subscription explained: what you get, and is it worth it

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Features5.6K video, dual-channel audio and the ability to fit in your pocket makes a GoPro a solid contender for YouTube5 / 5
PerformanceThe ability so share one video clip across many social media platforms is useful and its video quality excellent in daylight, but lacks in low-light situations4. / 5
ValuePrice is fantastic for its features, size and portability 5 / 5

Best for travel

(Image credit: Future)
The best gimbal camera ever made, this is a dream for run 'n' gun vloggers.

Specifications

Type: Action camera with gimbal
Sensor: 1-inch
Megapixels: 8MP stills
Screen: Rotating 2-inch touchscreen
Max video resolution: 4K
Mic input: Bluetooth
Headphone jack: No

Reasons to buy

+
Bigger display massively improves use
+
Creator combo offers high-quality vlogging
+
Video is crisp across light
+
No handle required for wireless mic
+
10-Bit video and 32-bit sound options

Reasons to avoid

-
Big price jump over Pocket 2
-
Auto exposure tends to brighten
-
Takes a while to uncover all the features
-
More vulnerable than an action camera
Buy it if:

You need to vlog: Stable shots and mic compatibility are well covered here.
You want a stable shot: The gimbal offers possibilities software stabilization can't manage.

Don't buy it if:

You want rugged: It's tough for what it is, but it won't survive as much as a true action camera

DJI's Pocket cameras have long been popular among YouTubers for their ability to capture smooth moving footage while used handheld. They're built around an integrated gimbal that compensates for camera movement – essentially the same unit DJI uses in its drones. However, with DJI's ActiveTrack technology built in, cameras like the Osmo Pocket 3 can also intelligently follow subjects and keep them in frame.

The Osmo Pocket 3 features a raft of updates compared to the previous Pocket 2, and more than justifies the price hike. One of the key additions is a larger 1-inch sensor, which means it performs much better in a range of lighting conditions. It also has a much bigger LCD monitor – a 2-inch screen that smoothly rotates from horizontal to vertical orientation as needed. It's so much easier to see what you're doing than it was on the smaller screen in previous versions of this camera, not to mention making use of the touchscreen functionality.

The camera isn't as small or as resilient as the 'Pocket' designation implies – you'll want to be more careful with it than you would with, say, a GoPro. However, it's unquestionably the best iteration of the form we've seen yet, and can be brilliantly accessorised with wireless mics for improved audio.

Read our full DJI Osmo Pocket 3 review for more details

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Features4K video, stabilized footage, external mic comparability makes this a popular option for many vloggers4 / 5
PerformanceExcellent performance across the board, but can bit more fragile than a action camera4. / 5
ValueIt's a little pricey, but offers a lot of features out the box5 / 5

Best for streaming

This capable compact is very popular among YouTubers and streamers.

Specifications

Type: Compact
Sensor: 1-inch CMOS
Megapixels: 20.2MP
Lens: 24-100mm f/1.8-2.8
Screen: 3-inch tilting touchscreen, 1,040,000 dots
Viewfinder: Electronic
Max video resolution: 4K
Mic input: Yes
Headphone port: No

Reasons to buy

+
4K video with no crop
+
Flip up screen for vlogging
+
Live streaming capability

Reasons to avoid

-
No eyelevel viewfinder
-
Quite pricey
Buy it if:

✅ You want 4K: with its 4K30p this is the perfect camera for those wanting 4K streaming

✅ You want zoom options: with its built-in 24-100mm lens you can always make sure you;re framed correctly

Don't buy it if:

❌You want to change lenses: while its built-in zoom lens offers a vast zoom range, you can't change it for a faster one

❌ On a budget: for a compact, it is a bit pricey, but it can be used for other things than just streaming

One of the biggest bugbears vloggers and video makers have with Canon is the crop factor when shooting 4K on many of its cameras, but the G7 X Mark III bucks the trend – thank goodness. This high-end compact packs a similar body and an identical lens to the G7 X Mark II, but includes a new sensor and no 4K crop. It was also the first camera of its kind with a microphone input – vital if you want clean audio, not to mention the ability to Livestream straight to YouTube.

This means that even if you’ve got an expensive cinema camera if you also have a G7 X Mark III you can create a fuss-free live setup without any expensive capture cards and a PC. With its flip-out screen, the G7 X III also gives vloggers a clear view of themselves when they shoot, and thanks to its 20.1MP 1-inch stacked CMOS sensor and Digic 8 processor it’s also able to capture great stills, so your custom thumbnails can pop nicely.

Read our full Canon PowerShot G7 X Mark III review for more details

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Features4k video, live streaming and versatile zoom range makes it a great companion for vloggers 4.5 / 5
PerformanceIt performs well across the board and its zoom range makes shooting talking heads to environment shots a breeze 4. / 5
ValueMore expensive than other options, but this is a all-in-one package that will suit many4 / 5

Best 360 camera

Editor's Choice

(Image credit: Adam Juniper)
High resolution and a practical shape – easy to grasp in every sense

Specifications

Weight: 203g / 0.45 pounds
Dimensions: 46 x 124 x 38mm
Stills resolution: 72MP (11,904 x 5,952px)
Video resolution: 8K 30fps / 5.7K 60fps / 4K 100fps
Memory: MicroSD
Battery life: 75 min at 8K / 135 min at 5.7K
Waterproof: Yes 10m (dive case for 50m)

Reasons to buy

+
8K resolution makes a significant difference to 360
+
4K60 single camera means it can be your only action camera
+
Rugged design including detachable lens covers
+
Can connect to external mics like DJI Mic 2

Reasons to avoid

-
Battery life when shooting 8K could be better
-
You need an invisible selfie stick to get the best shots
-
"Shoot first, frame later" isn't for everyone.
Buy it if:

You want sharp 360 video: The 8K makes for much more flexibility than most other
You want a great all-rounder: The camera is powerful enough to turn itself to nearly any task, including one-camera action camera modes.

Don't buy it if:

You are on a tight budget: There are cheaper options (including the previous generation X3) which still provide a lot of quality.
You want top-notch low-light: With 1/2-inch sensors the HDR is good, but low-light performance is only so-so.

When I tried this camera, I knew immediately it would find itself at the top of this buyer's guide. It's a great choice for people like me (owners of the X3 looking for more resolution and processor power) and an equally sensible choice for anyone getting into 360-degree photography for the first time, whether their goals are serious content creation or fun.

A couple of things set the camera apart. A big one is the Insta360 software, which is comfortably ahead of the offerings from others at the moment. As well as an excellent phone app (iOS/Android), there is an Insta360 Studio for Mac/PC and plugins for Premiere and Final Cut Pro so creating content can happen almost immediately for social, or in careful detail later. The AI subject tracking is excellent too, saving hours in manual keyframing compared to GoPro's offering.

That, though, is available with the X3 too. The headline feature here is the 8K resolution, and the processing power which delivers it. The boost makes for significantly better quality, especially when zooming into video in the edit. It also provides a lot of other upgraded resolutions, like single action camera mode at the crucial 4K60fps threshold, as well as features like bullet time now at 5.7k/120fps.

Other refinements exist too, like the removable lens covers which make the device extra rugged and the ability to connect microphones. All seem to result from a company listening to its customers and making improvements over generations. Whenever improvements suit the users like that things are good (and a word to the wise – this camera's 5-star review was earned in 2024, not 2020).

See my full review of the Insta360 X4

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Features8K video, excellent stitching for 360 photos and can shoot "normal" 4K video too5 / 5
PerformanceIt delivers stunning results in all shooting modes, but cant lack clarity in low-light environments 4. / 5
ValueGood for 8K, but pricey compared to others4 / 5

How to choose a camera for YouTube

Finding the right camera for YouTube is not just about choosing the best or most expensive camera. The trick is to choose the right kit for what you want to video. If your channel is filled with dynamic, action-packed adventures, an action cam is an obvious candidate. The best action cameras capture really high-quality footage these days, or for a different perspective, what about one of the best 360 cameras?

If your style of filmmaking is more measured, then a mirrorless camera is the obvious candidate. This will give you access to cutting-edge video technology, higher-quality capture, and the ability to swap lenses.

A third alternative is a compact camera where the lens is part of the camera. You lose out in versatility, but compact cameras tend to be much more affordable and simpler to use, and there's a lot less to carry around than with a mirrorless model.

One more thing. Do you want to do live streaming? In this case, the choice narrows a little – not all cameras can livestream straight out of the box. Our guide includes a few, but see our guide to the best cameras for streaming for a more extensive selection.

How we test cameras

We test cameras both in real-world shooting scenarios and, for DSLRs and mirrorless cameras, in carefully controlled lab conditions. Our lab tests measure resolution, dynamic range, and signal-to-noise ratio. Resolution is measured using ISO resolution charts, dynamic range is measured using DxO Analyzer test equipment and DxO Analyzer is also used for noise analysis across the camera's ISO range. We use both real-world testing and lab results to inform our comments in buying guides.

FAQs

Do you need a professional camera for YouTube?

The short answer is no! While professional cameras will deliver far superior results when wielded by people who know how to use them, a standard or phone camera is perfectly capable of producing results that are more than acceptable on YouTube. Many of the cameras we've included in this guide are suitable for beginners and intermediate users.

Having the latest 6K or 8K camera is not a big priority – we'd say for now, as long as you can capture footage in at least 4K you'll be all right, and Full HD will also work okay. More important is getting something that can capture clean audio, whether that's with a plug-in microphone, a wireless microphone, or a sophisticated built-in mic setup like the one on Sony's ZV-1 vlogging compact.

Are phone cameras good for YouTube?

It depends on the phone – but potentially yes. Smartphone cameras have got much better in recent years, and flagship phones these days are capable of capturing 4K video pretty much as standard (though frame rates vary from model to model). We have a dedicated guide to the best phones for video if this is the route you prefer to go down.

TOPICS
Sebastian Oakley
Ecommerce Editor

For nearly two decades Sebastian's work has been published internationally. Originally specializing in Equestrianism, his visuals have been used by the leading names in the equestrian industry such as The Fédération Equestre Internationale (FEI), The Jockey Club, Horse & Hound, and many more for various advertising campaigns, books, and pre/post-event highlights.

He is a Fellow of the Royal Society of Arts, holds a Foundation Degree in Equitation Science, and holds a Master of Arts in Publishing. He is a member of Nikon NPS and has been a Nikon user since his film days using a Nikon F5. He saw the digital transition with Nikon's D series cameras and is still, to this day, the youngest member to be elected into BEWA, the British Equestrian Writers' Association.

He is familiar with and shows great interest in 35mm, medium, and large-format photography, using products by Leica, Phase One, Hasselblad, Alpa, and Sinar. Sebastian has also used many cinema cameras from Sony, RED, ARRI, and everything in between. He now spends his spare time using his trusted Leica M-E or Leica M2, shooting Street/Documentary photography as he sees it, usually in Black and White.