Matthew Richards
Matthew Richards is a photographer and journalist who has spent years using and reviewing all manner of photo gear. He is Digital Camera World's principal lens reviewer – and has tested more primes and zooms than most people have had hot dinners!
His expertise with equipment doesn’t end there, though. He is also an encyclopedia when it comes to all manner of cameras, camera holsters and bags, flashguns, tripods and heads, printers, papers and inks, and just about anything imaging-related.
In an earlier life he was a broadcast engineer at the BBC, as well as a former editor of PC Guide.
Latest articles by Matthew Richards

Viltrox AF 56mm f/1.7 review: a portrait lens at a price to make you smile
By Matthew Richards published
Review The portrait-friendly Viltrox AF 56mm f/1.7 prime lens for Fujifilm X and Nikon Z APS-C format cameras is insanely good value.

datacolor Spyder LensCal review: DIY autofocus calibration for your camera
By Matthew Richards published
Review The datacolor Spyder LensCal is a calibration tool to help you fine-tune the autofocus accuracy of your cameras and lenses.

datacolor SpyderCube review: smarter than a gray card for overall accuracy
By Matthew Richards published
Review The datacolor SpyderCube is like a little magic box that helps you edit photos accurately and consistently

Viltrox AF 40mm f/2.5 review: A small, lightweight prime for both full-frame and APS-C mirrorless cameras
By Matthew Richards published
Review The full-frame Viltrox AF 40mm F2.5 lightens the load for Nikon Z and Sony E mount cameras, in both physical size and purchase price.

Fujifilm GF 63mm F2.8 R WR review: setting a new standard
By Matthew Richards published
Review This Fujifilm GF 63mm F2.8 R WR lens is the equivalent of a ‘nifty fifty’ for the medium format GFX camera system

Canon RF 400mm f/2.8L IS USM review: if it ain’t broke, don’t fix it
By Matthew Richards published
Review The ‘new’ Canon RF 400mm F2.8L IS USM isn’t really new. It’s more a tweaked EF-mount lens for mirrorless EOS R-series cameras

Sony FE 16-25mm f/2.8 G review: do the best things really come in small packages?
By Matthew Richards published
Review The Sony FE 16-25mm f/2.8 G delivers wide viewing angles while keeping size and weight to a minimum

Vanguard VEO BH-250S review: it’s a whole different ball game
By Matthew Richards published
Review The Vanguard VEO BH-250S is a very clever head, full of neat tricks, super-strong and hugely versatile.

The best lenses for vlogging: film the world and film yourself!
By Matthew Richards last updated
BUYING GUIDE The best lenses for vlogging have to meet different needs to those for shooting stills. Here's what to look for

Vanguard Alta Pro 3VRL 303CV 18 review: A sturdy video tripod kit and more besides
By Matthew Richards published
Review The Vanguard Alta Pro 3VRL 303CV 18 is designed from the ground up for shooting video, but can easily adapt itself for stills as well if you add an extra head.

AstrHori 25mm F2.8 Macro 2.0x-5.0x review: a macro lens and then some, with up to 5x magnification
By Matthew Richards published
Review The AstrHori 25mm F2.8 Macro 2.0x-5.0x gives you anything from 2x to 5x magnification, but it’s a bit of a one-trick pony

Fujifilm GF 50mm F3.5 R LM WR review: did you think medium format lenses were too chunky for street photography?
By Matthew Richards published
Review The diminutive Fujifilm GF 50mm F3.5 R LM WR is the closest thing you’ll find to a ‘pancake lens’ for the medium format GFX system

Sigma 50mm F1.2 DG DN Art review: A new go-faster standard prime
By Matthew Richards published
Review The Sigma 50mm F1.2 DG DN Art joins the super-fast f/1.2 club, available in L-mount Sony E-mount options

The best softbox lighting kits: studio flash kits ideal for portraits
By Ben Andrews last updated
Buying Guide Perfect for portraiture, these are the best softbox lighting kits for your home studio

7Artisans AF 50mm F1.8 review: this nifty fifty is the company’s first ever autofocus lens
By Matthew Richards published
Review The 7Artisans AF 50mm F1.8 for Sony E-mount cameras is full-frame compatible, as expected, but it also features the big bonus of autofocus.

Fujifilm Fujinon GF 23mm F4 R LM WR review: see the bigger picture, more than you might think...
By Matthew Richards published
Review The Fujifilm GF 23mm F4 R LM WR is an generously wide-angle prime for the GFX medium format camera system.

The best lens for portraits: ready for your close-up?
By Matthew Richards last updated
Buying guide Check out these picture-perfect portrait primes Canon, Nikon, Sony, Fujifilm, Olympus, Panasonic, Leica and Sigma mirrorless cameras, plus plenty of budget-friendly alternatives

The best Sony wide-angle lenses: widen your horizons, literally!
By Matthew Richards last updated
BUYING GUIDE These are the best Sony wide-angle lenses, for full-frame A1, A7 and A9 bodies, plus E-mount APS-C A6000-series cameras

EBL 1.5V 3000mWh Li-ion Rechargeable AA Batteries review: a better bet than NiMH?
By Matthew Richards published
Review These EBL 1.5V 3000mWh Li-ion Rechargeable AA Batteries deliver higher voltage than NiMH rechargeable batteries, along with decent stamina, but it’s not all good news.

Best lenses for travel photography: perfect all-in-one superzooms
By Matthew Richards last updated
Buying guide The best lenses for travel will let you shoot almost anything, and save some space in your bag!

Sigma 15mm F1.4 DG DN Diagonal Fisheye Art review: this lens will appeal to your inner Vincent van Gogh
By Matthew Richards published
Review The Sigma 15mm F1.4 DG DN Diagonal Fisheye Art adds ‘starry night’ potential to the arty, abstract effect of a regular fisheye lens

Sigma 500mm F5.6 DG DN OS Sports review: he ain’t heavy, he’s a super-telephoto prime that’s easy to live with
By Matthew Richards published
Review The relatively lightweight Sigma 500mm F5.6 DG DN OS Sports takes a load off, but still packs a load of up-market features and handling finery

Sony FE 24-50mm F2.8 G review: a downsized delight or does it come up short?
By Matthew Richards published
Review The Sony FE 24-50mm F2.8 G aims to shrink the size of a ‘trinity’ standard zoom but something has to give and there’s a compromise in telephoto reach.
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