Aimed at professionals and serious enthusiasts who want to take their photography to the max, I think that the Nikon D850 DSLR still packs a punch in the mirrorless age, with high-res 45.7MP stills and 4K video capture. That’s why it’s important to choose top-notch lenses that attain the clearest, sharpest shots.
Almost every F-mount lens on offer is compatible with the Nikon D850 but there are only a few you should lean toward if you want to achieve ultimate image quality. Nikon’s trinity zooms consist of three f/2.8 lenses that cover focal lengths from 14mm all the way up to 200mm in an attempt to negate the requirement for any other lenses in the kit bag. However, there are a few key lenses that I think are worthy of being in this guide, including some fast primes renowned for their optical quality.
Any problematic optical issues will show up with over 45MP of detail. Vibration Reduction is important for photographers hoping to shoot in low light or with longer focal lengths. Speedy autofocus controls down the lens barrel, and sleek, lightweight lens designs are equally important in the handling of lenses, so that every moment can be captured in focus.
Jase Parnell-Brookes
Jase Parnell-Brookes is an award-winning photographer, educator and writer based in the UK. They won the Gold Prize award in the Nikon Photo Contest 2018/19 and was named Digital Photographer of the Year in 2014. After completing their Masters, Jase has spent a good chunk of two decades studying and working in photography and optics. Now the Channel Editor for Cameras and Skywatching at Space.com, their speciality is in low-light optics and camera systems.
The balance between the focal length and the wide aperture on this prime makes it a perfect lens for portraiture and still life photography. Read more below…
This is Nikon’s best macro lens for F-mount cameras, with lifesize magnification, speedy autofocus and impressive sharpness. Read more below…
Best lenses for the Nikon D850 in 2024
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A staple in any professional Nikon shooter’s kit bag, this lens is the do-all answer to almost any photography assignment. I feel that it’s flexible enough to shoot wide-angle and telephoto with just a twist of the zoom ring has a fast aperture of f/2.8 for isolating subjects from the background and is superbly sharp throughout the zoom range from edge to edge.
It’s a little heavy and certainly not cheap, but paired with all 45.7MP of the Nikon D850’s image sensor it produces stunningly clear photos that are almost impossible to surpass. Its autofocus is lightning fast and the Vibration Reduction of four stops supports the longer end of the focal length range to maintain steady and clear shots.
I feel that this is the best ultra-wide angle lens overall for the Nikon D850. Its 14-24mm gives a great range of really wide-angle perspectives, and it has epic build quality and handling. A fast and constant f/2.8 aperture with a huge field of view make it perfect for astrophotography, wide landscapes and cityscapes and real estate photography.
D850 owners should be aware that there’s no front filter attachment for this lens because the front element protrudes so much, but that's what I've come to expect with most ultra-wide-angle lenses.
At about one third of the price of Nikon’s own 35mm f/1.4, this Sigma Art lens is an absolute steal and doesn’t compromise on image quality. A fast f/1.4 aperture gives depth to images when shot wide open despite the wide-angle focal length of 35mm tending to increase the depth of field
A very useful lens for environmental portraiture, it’s also small enough for street or travel photography where a wide field of view and flare-less results are paramount with changing light conditions and compositions. However, those seeking to shoot in all weather should be aware there are no weather seals on this lens.
Known as ‘the’ portrait lens, its image quality is valued by many Nikon shooters, not just owners of the D850. But it does pair well with this camera thanks to the fast autofocus, great image clarity, and complementary perspective compression.
The combination of 85mm focal length and fast f/1.4 aperture give an extremely shallow depth of field which is great for isolating subjects in portraiture and still life photography but demands very accurate focusing. With some attention to detail, however, I've found that this lens gives unparalleled quality and absolutely stellar results.
Portraits, landscapes, concerts, wildlife, sports, this lens can do it all. A fast, constant aperture, powerful four-stop Vibration Reduction, and superior lens coatings make this a lens for any event. Extensively weather-sealed all round, it can be taken into any environment without worry of ingress from dust, dirt, water, or anything else.
The 70-200mm zoom range is ideal for flattening facial features and isolating subjects from busy backgrounds simultaneously. Studded with lens controls all along the lens barrel it’s easy to recompose whether handheld or on a tripod and even features automatic tripod detection to avoid VR shake blur.
Nikon’s original AF 80-400mm was the company’s first lens to feature Vibration Reduction, but had a notoriously slow autofocus speed. This replacement AF-S lens has a typically fast and near-silent ring-type ultrasonic autofocus, that works with any Nikon DSLR or mirrorless Z-series camera. It is a great addition to the D850's lens arsenal - giving you a wide telephoto range that makes it suitable for action and wildlife photography – without giving you the weight or the price tag of a telephoto prime.
It obviously lacks the fast maximum aperture of an f/2.8 prime - but I find that it more than makes up for this with its reduced bulk and lower purchase price. It's a great performer that delivers excellent image quality.
This second-generation (G2) version of one of the best 150-600mm lenses has been rebuilt by Tamron, with improvements in autofocus, stabilization, and flare control. Low Dispersion elements help keep distortion and aberration to a minimum when shooting at either end of the focal length range. Ideal for sports, action, and wildlife the slightly narrower aperture range means it’s best used during the day, or under bright stadium lighting.
Its enhanced Vibration Compensation offers a helpful 4.5 stops of optical stabilization to make it easy to shoot handheld, which, considering it’s just over 2kg in weight, is plenty achievable if needed.
You might well be wondering why I've included an obsolete lens in this guide. Well, premium F-mount macro lenses are now very thin on the ground, especially with competing Sigma and Tamron alternatives also having been discontinued.
This was Nikon’s top-flight FX-format macro lens, offering a maximum of 1:1 magnification and while you might not be able to find one brand new, it's well worth looking around for a second-hand bargain. It includes a ring-type ultrasonic autofocus system with fully internal focusing, 3-stop VR II stabilization, and Nano Crystal coating. Image quality is super-sharp, ideal for resolving the finest of detail and texture in macro photography.
The graphs below show the comparative performance of the lenses in this guide, based on our in-house lab tests. Top spot for sharpness goes to the Sigma 35mm prime lens, although the Nikon AF-S 85mm and AF-S 70-200mm aren’t far behind. The Nikon AF-S 14-24mm is the worst for distortion, while averaged figures very much flatter its edge-sharpness at the short end of its zoom range.
Scores for sharpness and color fringing are averaged from data taken across the entire image frame, from the center to the edges and corners, throughout the aperture range. For zoom lenses, the scores are also averaged from data measured at all marked focal lengths, and the same applies to distortion. Bear in mind that these average values don't fully reflect specific areas of performance. For example, a zoom lens might have noticeable barrel and pincushion distortion at its shortest and longest focal lengths respectively, which tends to average out when looking at the data overall. For more detailed graphs of each lens's performance, which give the full picture, check out the graphs in our full standalone lens reviews.
The D850 uses the Nikon F mount and is compatible with all lenses designed for that mount. Nikon’s own F-mount lenses have AF-S or AF-P at the start of their model names.
Some F-mount lenses are designed for use with APS-C format cameras rather than full-frame cameras such as the D850. Nikon lenses that fall into this category have DX as part of their model names. While they physically fit on the D850, these lenses produce a cropped image. None of the lenses in this guide is a DX-format lens.
If you are buying a third-party lens for the D850, always check that it is designed for full-frame (or FX) Nikon cameras like the D850, rather than APS-C (or DX) Nikons.
The D850 is not able to use Z lenses, which are made for use with Nikon’s mirrorless Z cameras. If you upgrade to a Z camera later, you can buy an adapter that allows most F-mount lenses to work with your new camera.
How do I know which lens to get for my D850?
The reason there are so many types of lens in the first place is that different scenes demand different lens designs, particularly when it comes to focal length and aperture rating.
Usually, you will decide what you want to photograph, then get a lens with the focal length that suits the situation. For example, to shoot landscapes you will need a wide-angle lens, while for sports and wildlife you will need a telephoto.
The lens experts in our testing lab run a range of tests under controlled conditions, using the Imatest Master testing suite. Photos of test charts are taken across the range of apertures and zooms (where available), then analyzed for sharpness, distortion and chromatic aberrations.
We use Imatest SFR (spatial frequency response) charts and analysis software to plot lens resolution at the centre of the image frame, corners and mid-point distances, across the range of aperture settings and, with zoom lenses, at four different focal lengths.
There's more to it than just the technical side, though! Beyond the lab, our reviewers test lenses in real-world environments – and sometimes on professional shoots! We work with lenses both indoors and outdoors, in studio conditions and in natural light, with as many different subjects as is possible (or appropriate – there's no point testing a landscape lens' ability to shoot a portrait!).
We take into account everything from handling and ease of use to speed of autofocus and the overall quality of the images produced.
Jase Parnell-Brookes is an award-winning photographer, educator and writer based in the UK. They won the Gold Prize award in the Nikon Photo Contest 2018/19 and was named Digital Photographer of the Year in 2014. After completing their Masters Jase has spent a good chunk of two decades studying and working in photography and optics shooting and writing all over the world for big-name brands and media outlets. Now the Channel Editor for Cameras and Skywatching at Space.com their speciality is in low light optics and camera systems.
