The best shotgun mics allow you to capture the audio of a single subject without being overwhelmed with background noise. That's because this type of directional microphone is specifically designed to pick up sound from a specific direction while rejecting noise from other directions.
In contrast, if you shoot a video outside with an integrated mic, you'll often find the visuals look great but the sound is muffled and distant. It might sound like they’re in a goldfish bowl, or perhaps there’s so much wind that you can’t hear anything going on. Fortunately, the best shotgun microphones can help with all of that. That's why they're commonly used in film and television production, as well as in broadcasting and live sound applications.
Shotgun mics are often mounted to the hotshoe of the camera, but can also be placed on the end of a boom, a camera rig, or even put on a mic stand or tripod. Most, if not all, shotgun microphones run on phantom power (+48V) so require power via the camera, an external compatible power source, or a battery, which varies from model to model.
If you’re new to shotgun microphones, you’ll quickly realize most of them look pretty similar: a long, usually metal cylinder with some slatted grooves flanking the sides and a cable connector. However, there are many hidden features that make a huge difference to the quality of sound recorded.
In this guide, we bring together the best shotgun mics on the market today in one place, and explain what each in particular has to offer.
Jase Parnell-Brookes
Jase Parnell-Brookes is an award-winning photographer, educator and writer based in the UK. They won the Gold Prize award in the Nikon Photo Contest 2018/19 and was named Digital Photographer of the Year in 2014. After completing their Masters, Jase has spent a good chunk of two decades studying and working in photography and optics. Now the Channel Editor for Cameras and Skywatching at Space.com, their speciality is in low-light optics and camera systems.
Plug it in, set your sound level, and shoot: that’s all there to this hotshoe-based mic. Despite the lack of frills, its recordings pack a punch. Read more below…
This option takes up less room in your kit bag, and comes with a selection of adapters that make it easy to mount on different objects. Read more below…
If you don’t like the recording field of this mic, just swap in another capsule for wider or narrower sound capture. Read more below…
The best shotgun mics in 2024
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Rode makes a vast range of video-specific audio kit, from enthusiast-level all the way to high-end broadcast equipment. The VideoMic Go II is at the more affordable end of the spectrum and mounts onto a hotshoe, with an effective shock mount to reduce handling noise. It's fuelled by plug-in power from the camera's mic socket, so doesn't need a battery, and there are no switches on board to attenuate the output or change polar patterns.
This means you just plug it in, set your recording level, and start shooting. It comes with a foam windscreen to reduce wind noise, but there's an optional "dead cat" WS12 windjammer for breezy conditions that costs another $25/£20. Frequency response stretches from 20Hz-20KHz, but recordings were rich and full, so we didn't find it lacking in bass. Overall this is a well-made, good-sounding mic that's very easy to use.
A little bulkier and heavier than the Rode VideoMic Go is Rode's VideoMic Pro. This hotshoe shotgun mic shares a similar size and design, but adds extra features for those seeking more flexibility and higher quality recordings.
Although it's suspended on a similar shockmount as the Go, it incorporates a chamber for a 9V battery (not supplied), which serves as the power source for around 70 hours.
On the back, there are two switches to tailor performance, and these alter the output gain (-10, 0 or +20 dB) or offer the choice between a flat response or one with a low frequency cut.
The sound quality is excellent, with rich tonality throughout the 40Hz-20KHz range and a flat response all the way through the speech frequencies. Impressively, there's a very low noise floor that's comparable to the Boya BY-M1 lav mic, so only the hypercritical will be concerned about the trace of mic-generated hiss that's present.
The supplied foam windscreen serves to protect the mic, but outdoors, a furry windjammer is needed to prevent wind noise, and the dedicated Rode model costs another £30/$38.
This aside, The VideoMic Pro is an excellent mic, and more than justifies its price with its features and performance.
High-end shotgun mic from one of the best names in the industry
Specifications
Polar pattern: Supercardioid/lobe
Type: Pressure gradient interference transducer
Frequency response: 20 - 20,000Hz
Max SPL: 138dB
Weight: 145g
Dimensions: 213 x 21mm
Reasons to buy
+
90-degree recording angle is responsive
+
- Low wind and handling noise susceptibility
+
- Low self-noise generation at just 12dB-A
Reasons to avoid
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Prohibitively expensive for the amateur
Neumann doesn’t make cheap microphones, and there’s a reason for that. They’re renowned for producing some of the best, most accurate mics in the world and this shotgun mic is no exception. The KMR 81 i was designed for film and TV and has limited off-axis coloration to avoid sound dips when subjects move around.
Discreetly placed switches control a 200Hz low-cut filter and -10dB pad for reducing low-end rumble from traffic and wind, and attenuating sensitivity in order to capture louder subjects more clearly. Self-noise can be an issue in microphones and this is one of the quietest creating only 12dB-A. A slight uplift in frequency response around 2kHz helps enhance subjects that often lack the higher end when recording at a distance.
The best shotgun mic for beginners or home studio filmmakers
Specifications
Polar pattern: Line and Gradient
Type: Fixed-charge back plate, permanently polarized condenser
Frequency response: 20 - 20,000Hz
Max SPL: 129dB
Weight: 145g
Dimensions: 279 x 21.0 mm
Reasons to buy
+
Short length slips into any kit bag
+
Excellent frequency response captures audio clearly
+
High quality audio for its class
Reasons to avoid
-
No on/off switch for battery power
This is one of the best shotgun microphones in its class because it’s compact and terrifically sensitive. It can detect sounds well within the human hearing range of 20Hz to 20kHz for crisp, clear audio. On the underside of the microphone body, there’s a low-cut switch that reduces low frequencies below 80Hz by applying a -12dB octave slope. This low-cut switch works especially well at cutting out wind noise that often affects these kinds of microphones, even when there’s a wind guard in place.
Compact and light, the Audio-Technica AT897 can easily be mounted on a digital camera or boom for audio recording while filming and has a narrow acceptance angle that eliminates distracting ambient sounds and focuses on the speaking subject.
High max SPL for clearer recordings of loud subjects
Reasons to avoid
-
Polar pattern isn’t as tight as others
One of the leading microphone brands for entry-level equipment, Rode has created an excellent shotgun mic in the NTG4+. Although it’s a super cardioid polar pattern that isn’t quite as narrowly focused as others in this roundup, it has a high maximum Sound Pressure Level of 135dB, is one of the lightest at 176g, and one of the shortest at 278mm.
Three control buttons on the top of the microphone body make it easy to switch between a -10dB pad to attenuate loud subjects, a 75Hz low-cut filter to reduce low-frequency rumbles such as traffic or wind, and a high-frequency boost to keep speech crisp. It also houses an internal rechargeable Lithium-ion battery that takes only two hours to fully charge via USB-C.
AKG’s approach to the C747 V11 shotgun mic looks a little unorthodox at first, but when you take into account that it’s the smallest, lightest mic in our roundup and more than keeps up in terms of performance, then you’ll realize why it’s here. Just 137mm long and weighing only 25g, it comes with adapters for mounting on all kinds of surfaces, such as lecterns, booms, cameras, and more.
Armed with a low-cut filter that kicks in at 150Hz it also features RFi shielding technology to prevent the pick up of mobile phone interference and other radio frequency anomalies. Small and powerful then, but certainly not cheap. This is one perhaps for intermediate users and those hoping to move on to full-time filmmaking/sound recording.
The VideoMicro II is the smallest on-camera shotgun mic in the Rode line-up and its price, size and simplicity make it ideal for vlogging beginners, as well as videographers who need a compact mic to keep in the kit bag for when it is needed. As well as the mic and a new ‘Helix’ isolation mount, you get a regular foam windshield and a furry windshield too for when wind noise is worse. There are also two connection cables, one of which is a TRS-TRS type for regular camera connections, and a TRS-TRRS cable for smartphones (iPhone users will need to get a Lightning-TRRS adaptor). It cannot work as a USB mic like its bigger brother, the VideoMic Go II, however, and it does not have that mic’s audio monitoring socket – though more advanced vlogging cameras will have these anyway.
The MKE600 is known as one of the best shotgun mics in its class range. Constructed from metal all over it has a rugged, durable finish but stays light at just 128g. It can be powered either by phantom power on the recording device or via a single AA battery and can be powered by in-camera preamps without issue.
There’s a battery on/off switch to save energy and prolong the life of the battery should you switch one. It even comes with a low battery level indicator that flashes up when running out of juice so you don’t get caught out. A low-cut switch alleviates handling and wind noise and the mic is designed to be resistant to interference.
The Zoom M3 MicTrack is on-camera microphone-and-recorder for video-makers using mirrorless cameras or DSLRs. Powered by a pair of AA-size batteries, it attaches to your camera and records audio independently of the latter's built-in digital recorder, storing its data on a microSD memory card.
This will likely improve on recording quality compared to your camera's own abilities in a number of ways. But its main sell is 32-bit depth sampling, which offers significantly larger dynamic range that the norm. This helps eliminate clipped and distorted audio being caused by a sudden changes in sound levels.
No-nonsense shotgun mic with interchangeable capsule
Specifications
Polar pattern: Hypercardioid/Lobar
Type: Electret condenser
Frequency response: 65 - 20,000Hz
Max SPL: 132dB
Weight: 116g
Dimensions: 240 x 22mm
Reasons to buy
+
Can swap between S, M, and L capsules
+
Wide-range high-pass filter
Reasons to avoid
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Premium price tag too high for beginners
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Wide acceptance angle not great for some applications
A premium shotgun microphone, Shure has ensured that this mic is worth the price tag. To do this they’ve constructed the body out of an aircraft-grade alloy made from aluminum to minimize weight and maximize strength. Also unique to the VP89 series is the interchangeable capsule design where users can switch between the S, M, and L capsules (70, 50, and 30 degrees acceptance angle respectively) without having to purchase the preamp multiple times. This saves money and space and is a welcomed feature.
For the price, one might expect a little more control over the sound, as it only has a switchable low-cut filter that kicks in at 200Hz. However, Shure has developed this microphone with extra shielding to reduce electronic interference, mobile devices, and other hum-prone sources.
A shotgun microphone is a type of directional microphone that is designed to pick up sound from a specific direction while rejecting noise from other directions. It is named after its long, cylindrical shape, which resembles a shotgun.
How does a shotgun mic work?
Shotgun microphones use a series of closely spaced tubes to create a narrow pickup pattern. This pattern is similar to a cone, with the microphone at the tip of the cone. The narrower the pickup pattern, the more directional the microphone will be.
What are the benefits of using a shotgun mic?
Shotgun mics work directionally, which means that they can pick up sound from a specific direction while filtering out background noise. This makes them ideal for recording in noisy environments, such as a busy street or a crowded stadium. They're a popular choice in a range of areas, including journalism, film-making, wildlife documentaries and live music recording.
What does SPL mean?
SPL stands for sound pressure level, and is used to measure the loudness of a sound. Mics have an upper limit called maximum SPL. Higher SPLs can capture louder sounds, or optionally, microphones can be placed further away with the same sound level results. This is helpful if you can’t get close access to a sound source, like a soloist in an orchestra.
What does frequency response mean?
Frequency response for mics is the range of frequencies that a microphone can reproduce accurately. In other words, determines how much sound a mic can capture, from low to high pitches.
The frequency response of a microphone is important because it affects the sound of the recording. A microphone with a flat frequency response reproduce all frequencies equally well. This produces a natural sound. In contrast, a microphone with a shaped frequency response will boost or attenuate certain frequencies. This can be better for specific situations.
For example, a mic that boosts high frequencies is often better for vocals, making them sound brighter and more articulate. A mic that boosts low frequencies, meanwhile, is often better for acoustic instruments, as it reduces the amount of rumble and feedback.
Jase Parnell-Brookes is an award-winning photographer, educator and writer based in the UK. They won the Gold Prize award in the Nikon Photo Contest 2018/19 and was named Digital Photographer of the Year in 2014. After completing their Masters Jase has spent a good chunk of two decades studying and working in photography and optics shooting and writing all over the world for big-name brands and media outlets. Now the Channel Editor for Cameras and Skywatching at Space.com their speciality is in low light optics and camera systems.
