RED brings back Nikon mount after 17 Years – Meet the Z-Mount V-Raptor X and Komodo X
The Nikon Z mount comes to RED cinema cameras
Since Nikon acquired Red Digital Cinema last year, the two brands have collaborated on software projects, but now they are unveiling their first major hardware partnership.
RED’s popular V-Raptor X and Komodo-X cinema cameras are now available with locking Nikon Z-mounts, marking the first time RED has offered a Nikon mount since the original Red One launched in 2007 with an optional F-mount.
The new Z-mount cameras come alongside a series of Z-to-PL mount adapters, some featuring electronic neutral density (ND) filters up to 7-stops and conversion kits for existing Red camera owners who want to switch to Z-mount.
The Komodo-X 6K, known for its global shutter and Super 35 sensor, now comes in a Z-mount version that retains high frame rates like 6K80 and 4K120. With a compact form factor, IP connectivity, micro-V-Lock integration, and 12G-SDI output, the camera is aimed at filmmakers seeking versatility.
The Z-mount Komodo-X is available as a standalone body, in a Production Pack with Gold Mount or V-Mount batteries, or in a Power Zoom Pack that includes the new Nikon Z 28-135mm f/4 PZ lens. For existing Komodo-X users, a Z-Mount Conversion Kit is also available.
Complementing the new Z-mount cameras, Red has introduced four Z-to-PL adapters, allowing cinematographers to use professional PL-mount lenses. These adapters support Cooke /i metadata communication and record triggering, and they are available in standard configurations or with a 2-7 stop electronic ND filter. The ND filter can be adjusted in 1/4, 1/3, or full-stop increments via integrated buttons or through Red’s control protocols. To prevent strain on the camera mount, each adapter includes a support bracket, ensuring secure use with heavy cine lenses.
The V-Raptor X 8K VV, the first full-frame global shutter cinema camera, now also ships with a locking Z-mount. With 17+ stops of dynamic range, IP connectivity, and high frame rates like 8K120, the V-Raptopr X remains Red’s flagship model.
The Z-mount version is available as a standalone camera, in a Production Pack with Gold Mount or V-Mount batteries, or in a Starter Pack that includes a 7” touchscreen and V-Mount batteries. Additionally, Red is offering Z-Mount Conversion Kits for existing V-Raptor X bodies and Z-Mount upgrade kits for older V-Raptor models like the 8K S35 and 6K S35.
The native Z-mount cameras are priced at $29,995 for the V-Raptor X and $6,995 for the Komodo-X.
The Z-mount to PL mount adaptors are priced at $1,500 for the standard configuration or $3,500 for those equipped with a 7-stop ND filter.
Pre-orders:
Z-mount to PL mount: Standard configuration
$1,500 at B&H
Z-mount to PL mount: 2-7 stop ND:
$3,500 at B&H
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For nearly two decades Sebastian's work has been published internationally. Originally specializing in Equestrianism, his visuals have been used by the leading names in the equestrian industry such as The Fédération Equestre Internationale (FEI), The Jockey Club, Horse & Hound, and many more for various advertising campaigns, books, and pre/post-event highlights.
He is a Fellow of the Royal Society of Arts, holds a Foundation Degree in Equitation Science, and holds a Master of Arts in Publishing. He is a member of Nikon NPS and has been a Nikon user since his film days using a Nikon F5. He saw the digital transition with Nikon's D series cameras and is still, to this day, the youngest member to be elected into BEWA, the British Equestrian Writers' Association.
He is familiar with and shows great interest in 35mm, medium, and large-format photography, using products by Leica, Phase One, Hasselblad, Alpa, and Sinar. Sebastian has also used many cinema cameras from Sony, RED, ARRI, and everything in between. He now spends his spare time using his trusted Leica M-E or Leica M2, shooting Street/Documentary photography as he sees it, usually in Black and White.
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