12 lenses of Christmas: Nikon rewrites the superzoom rulebook
It was a record-breaker in March, as Nikon really put the ‘super’ into all-in-one superzoom lenses
For each of the 12 days of Christmas, we'lll be looking back on the 12 months of 2024 – and all the lenses that every month brought. Today we're revisiting March…
We’d long been rightly impressed with the Nikon Z 24-200mm superzoom for the company’s mirrorless cameras, but March’s announcement of the new Nikon Z 28-400mm f/4-8 VR really was something special.
This remarkable lens for full-frame cameras takes you all the way from a wide-angle perspective to super-telephoto reach, with just the flick of a wrist. It’s equally viable for use on Nikon’s DX (APS-C) format Z system bodies, on which it gives a spectacular ‘effective’ 42-600mm zoom range.
One thing that’s necessarily lacking in the Nikon Z 28-400mm, however, is a fast aperture, which shrinks to f/8 at the long end. With a more standard zoom range, the Tamron 28-75mm f/2.8 Di III VXD G2 launched for the Nikon Z mount, following on from the existing Sony E-mount offering.
Speaking of speed, many photographers definitely wouldn’t class an f/2.8 lens as ‘fast’. Catering to Sony E and L-mount shooters, March saw the announcement of the truly speedy Sigma 50mm f/1.2 DG DN | Art. We’re used to Sigma’s Art lenses being quite chunky, but this one has a refreshingly compact and lightweight design – especially for an f/1.2 prime.
On the subject of lightweight lenses, there was also the launch of the Yongnuo YN11mm f/1.8S DA DSM WL for APS-C format Sony E-mount cameras. Although very compact, it squeezes in not only an aperture control ring but also a wireless remote control facility, available via Yongnuo’s handy little controller, available separately or as part of a complete kit.
Going in the opposite direction, there was news that the fully manual Voigtländer Nokton 75mm f/1.5 Aspherical in Canon RF mount would be arriving the following month.
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Following on from the previous month’s medium format lens reviews, we tested the wide-angle Fujifilm GF 23mm f/4 R LM WR and the amazingly compact full-frame Panasonic Lumix S 100mm f/2.8 Macro lens. A real potpourri of lenses across all formats!
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Matthew Richards is a photographer and journalist who has spent years using and reviewing all manner of photo gear. He is Digital Camera World's principal lens reviewer – and has tested more primes and zooms than most people have had hot dinners!
His expertise with equipment doesn’t end there, though. He is also an encyclopedia when it comes to all manner of cameras, camera holsters and bags, flashguns, tripods and heads, printers, papers and inks, and just about anything imaging-related.
In an earlier life he was a broadcast engineer at the BBC, as well as a former editor of PC Guide.