Nikon Z5 II vs Nikon Z5: is it worth the extra?
Spoiler alert: it's probably a 'yes' – read on to find out why it's worth splashing out on Nikon's new camera in almost every respect…

With the launch of the Nikon Z5 II, is it worth paying the extra for the shiny new camera or is now the time to pick up the original Z5 at a knock-down price?
As I write this, the original camera is available for under $1,000 / £800 / AU$2,000 compared to the $1,699 / £1,599 / AU$2,699 RRP of the new model. So just how much better is the Mark II edition of the camera?
As you'll see in my first-look news story, the Z5 II looks very much like its predecessor, with only minimal tweaks to the body. The grip is a teeny bit deeper, there's a new Picture Control button, and a couple of buttons have swapped places on the back, but that aside you wouldn't know it's a different camera.
There's still no top-plate info LCD and flip open the memory card flap and you'll see it still supports a pair of SD cards for storage. Even the 'Z5 II' logo is understated. The rear LCD is the same size, though if you try and open it you will discover it is of the vari-angle variety rather than the tilting mechanism of the earlier camera.
But while the two cameras are essentially the same on the outside, things are very different on the inside, with a newer-generation processor, better sensor, brighter EVF and higher-resolution rear LCD combining to place the newer camera in a completely different league than its predecessor, as the specs comparison shows.
Header Cell - Column 0 | Nikon Z5 II | Nikon Z5 |
---|---|---|
Sensor | 24.5Mp Back-side illuminated | 24.3Mp CMOS |
Processor | Expeed 7 | Expeed 6 |
ISO (stills) | 100-64,000 | 100-51,200 |
ISO (video) | 100-51,200 | 100-25,600 |
Phase detection AF area points | Single-point 273 / Auto-area AF 299 | 273 |
Subject detection | 9 types (people, birds, dogs, cats, cars, cicycles, motorcycles, trains, aircraft) | 2 types (people, dogs) |
AF detection | -10EV | -4.5EV |
Continuous shooting speed | 30fps (JPEG), 14fps (raw) 11fps (14-bit raw) | 4.5fps |
Shutter speed | 1/8000 sec-30 sec (900 secs extended) | 1/8000 sec-30 sec |
Video | 4K 60p (1.5x crop) / 4K 30p, Full HD 120p / 60p / 30p | 4K 30p (1.7x crop) , Full HD 60p / 30p |
Video compression | N-RAW, H.265 / H.264 | H.264 |
Video recording mode | N-LOG, HLG, SDR, MOV, MP4 | MOV, MP4 |
Continuous recording time | 85 mins | 115 mins (viewfinder) / 120 mins (rear monitor) |
Hi-res zoom / digital zoom | Yes (improved) | Yes |
Rear monitor | Vari-angle touchscreen, 3.2in 2,100k-dot | Tilting touchscreen, 3.2in 1,040k-dot |
EVF | 0.5in, 3,690k-dot, 3,000 nits | 0.5in, 3,690k-dot, 1,000 nits |
Nikon Imaging Cloud | Yes | No |
Connectivity | Wi-Fi, Bluetooth, USB-C, HDMI-D, stereo mic jack, remote cord / stereo headphone jack (compatible with MC-DC3 remote cord) | Wi-Fi, Bluetooth, USB-C, HDMI-D, stereo mic jack, stereo headphone jack, accessory terminal (compatible with MC-DC2 remote cord) |
AF focusing speed | 0.075 sec | 0.206 sec |
Picture Control button | Yes | No |
Picture Controls | 31 types + Flexible Color Picture Control | 28 types |
Imaging recipes | Yes | No |
In-body image stabilization | Up to 7.5 stops center, 6 stops periphery | 5 stops |
Focus point VR | Yes | No |
Vertical orientation display | Yes | No |
Pre-release capture | Yes | No |
AF-A | Yes | No |
Electronic VR | Yes (improved) | Yes |
Product review mode | Yes | No |
Video self-timer | Yes | No |
Portrait impression balance | Yes | No |
Skin softening | Yes | No |
Starlight view mode | Yes | No |
Dimensions | 134 x 100.5 x 72mm | 134 x 100.5 x 69.5mm |
Weight (inc battery & memory card) | 700g | 675g |
Compatible battery grip | MB-N14 & MB-N11 | MB-N10 (no duplicated controls) |
With far superior autofocus, a much faster shooting rate, improved ISO performance, next-generation Focus Point VR-based IBIS, Pre-Release Capture, and a whole host of enhancements for low-light photography – such as its see-in-the-dark -10EV AF and Starlight view – the Z5 II will give markedly better results no matter what you shoot, from sports and wildlife through portraiture to aviation and astrophotography.
In terms of video, it knocks the socks off its predecessor, with 4x slo-mo in Full-HD mode, uncropped 4K capture (it's a pity that 2x slo-mo 4K is cropped), the ability to record NRAW and N-LOG, and tricks like Product Review mode being a gift to influencers.
It should be a more pleasant camera to use too, with its deeper grip, brighter viewfinder, higher-res screen, easier access to Picture controls, and on-screen info that matches the orientation you're shooting in. I go into far more depth in all of this in my Nikon Z5 II first look.
So are there any shooting scenarios in which the older Z5 is just as usable as the newer camera? I'd say that if your prime interest is landscapes – when you'll be sticking the camera on a tripod, setting the lowest ISO, and your subject isn't going to suddenly start moving – then a Nikon Z5 is every bit as good. And you can put the hundreds of dollars/pounds of savings towards a new lens or two.
Not made your mind up? See our guides to the best Nikon cameras and best cheap mirrorless cameras.
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Prior to joining digitalcameraworld.com as Guides Editor, Adam was the editor of N-Photo: The Nikon Magazine for seven years, and as such is one of Digital Camera World's leading experts when it comes to all things Nikon-related.
Whether it’s reviews and hands-on tests of the latest Nikon cameras and lenses, sharing his skills using filters, tripods, lighting, L brackets and other photography equipment, or trading tips and techniques on shooting landscapes, wildlife and almost any genre of photography, Adam is always on hand to provide his insights.
Prior to his tenure on N-Photo, Adam was also a veteran of publications such as PhotoPlus: The Canon Magazine, so his wealth of photographic knowledge isn’t solely limited to the Big N.