We both have a keen interest in music, film and photography, and have attended many extracurricular courses on Lightroom, Photoshop and photography at Arts University Bournemouth. In September 2018 we were both awarded our Licentiate distinction from the Royal Photographic Society.
We set up our website about a year ago and the vast majority of the work displayed there has been taken over the past year. We put an extra emphasis on ‘technique’ in our pursuit of our LRPS.
Our portraits of one another were an opportunity to experience what it’s like to be both a photographer and model. It not only enabled us to explore the intricacies of lighting, makeup, costume and locations, but also how to direct and be directed. As we both have access to each other it proved most practical – but working with siblings not only has its merits but also a few complications!
The majority of these photos were shot in our studio, but we love to shoot on location too. Occasionally, a location enhances a shot and sometimes it can distract from it. The location for Wytch required permission from Wytch Oil Farm security. We were after an industrial backdrop to provide tension against the theatrical pink bath robe portrait that Rémy was wearing.
We always have heaps of ideas kicking around. Sometimes these can be simply executed without too much more development. But it’s good to keep an open mind and we try to adapt the circumstances that present themselves without losing sight of our original intent. For the Portland image of Esmé under the red veil, we intended to have Portland Bill Lighthouse as the backdrop, but it just didn’t work! We ended up using Portland’s rocky coastline instead.
Tools for the job
Usually we share equipment and use what’s needed for the job. Esmé uses a Nikon D5300 while Rémy uses a . We have recently moved over to FX, with the joint acquisition of the totally awesome Nikon D850. We also have some museum equipment to choose from; a beautiful F2 with motor drive, a Nikkormat, a broken FE and an obsolete D70.
Our lenses also span many decades and we still regularly use an old Nikon 55mm macro for our shoots. Other makes have not stood the test of time so well… We tend to work with wide-angle to short telephoto; Esmé has a DX 18-70mm kit lens, Rémy has a DX 10-20mm wide-angle, and the fantastic 85mm f/1.8 prime is attached to the D850 for the studio. We propose to add the 16-35mm and the new 70-200mm when funds allow – so if anyone at Nikon is reading this and would like to sponsor two enthusiastic students…
Nikon equipment is robust and intuitive to use; the D850 is absolutely superb in the studio, while the DX bodies are ideal on location due to their lighter weight overall. All the lenses produce excellent quality images, but if we know that size matters then we use the D850 and 85mm.
Our lighting rig comprises of three Profoto B1s on Matthews C stands with a variety of shapers – such as a snoot, beauty dish, softbox and umbrella. Profoto lighting is just fantastic, indoors and out!
We love constructing a photograph, deciding on makeup, costume, props and so on, and spending the day in the studio and just seeing how the shot develops – but it can be demanding and patience is a virtue…
Rémy and Esmé Lloyd are equipped for both studio and location work and are actively seeking commissions
Read more:
Nikon D850 review
Best Nikon cameras
Best Nikon lenses
Interview: Bénédicte Kurzen and Sanne De Wilde
Interview: Roie Galitz
Interview: Tracey Welch
Interview: Lloyd Horgan
Interview: Rick Jones
