"I got tired of hearing some photographers and even lecturers say there was no money in the industry anymore when I have found the opposite". Denise Maxwell gives insight on making cash from your camera ahead of TPVS 2024

Everyone can expect a frank and honest workshop where I will explicitly talk about money – one thing 
that so many photographic workshops shy away from – what can I actually earn from doing job X, Y or Z? 

The audience can also expect some jokes because
we are also going to be there to have fun, and a relatable workshop that will help them understand how doable making money from photography is. There will be no talk about f-stops, the best lenses or buying the latest cameras… just a snippet of how I make my money 
and how the audience can, too.

I have attended so many workshops over many years and have always felt like they have stopped short of sharing real gems – often peripheral general details – which has left me feeling cheated. It’s as though everything is secretive. In all of my courses, I share real pounds and pennies, state how I go into this type of work and give people the formula for how they can, too. In the eight-week course I deliver, participants have already started to implement what they have learned before the course ends. 

I run courses that teach photographers how to earn £5-10k per month from photography, as I do. My talks 
will be a snippet of some of the information I teach in my courses. I got tired of hearing some photographers and even lecturers speak about how there was no money in the industry anymore when I have found the opposite;
it is a great industry to be in and people have never needed as many images as they do now. Clients need images for their social media feeds, websites, newsletters and events, to bring their businesses 
online – and so much more. 

This is why I decided to speak on this subject and create workshops and courses. It was something I was not taught when studying, and I still speak to photographers leaving three-year degrees and master’s degrees with no clue about how they will earn money after the course. So it is still not largely being taught. Yet it is the one thing photographers need to know to make a go of being a full-time photographer. I find this is one of the most asked questions I see in photography groups, so I know it is still a mystery to so many people. 

Currently, I have 10 income streams from photography. In the time I have for the talk, I will teach participants how to set up and earn from different streams and what they can earn from them. So this workshop will be for anyone who is serious about wanting to earn an income from their photography, wanting to make it their full-time job as I did and have done. Yes, it is a joy to be creative and do it for the fun of it, but photographic equipment is expensive and we still all have bills to pay! Imagine being able to combine both – being creative and paying your bills at the same time. This is my life as a full-time photographer. 

Do I start from when I used to borrow my mum’s 110 Kodak film camera to take to junior school? Or my own 35mm camera from the days before mobile phones which I used to take everywhere with me? I started with on-site event studios, weddings and portraits. I was made redundant from a career in the NHS, which was devastating at the time. I earned a good salary, did a job I loved and worked with colleagues I liked; I could not imagine finding anything better. That was a blessing in disguise. The saying ‘Good things come to an end to make way for more good things’, has been my experience; I became a full-time photographer. 

I now cover a wide mix of different genres, everything from sports to red carpets, events, fashion, portraits, campaigns… I like the variety and I love the fact that I’m shooting different things on different days – it means nothing gets boring. Now, 13 years in, I still love my
job and I am not sure how many others can say that. 

I now also give back in many ways. I mentor emerging photographers, I do equipment giveaways as an ambassador, I also offer opportunities where emerging photographers can shadow me on real commissions sponsored by MPB and I lecture in various educational establishments around the UK. 

My journey has taken me to places beyond where
I dreamed of, events I used to watch on TV, working with people I grew up watching. In December, for example, I worked with two of my childhood icons, Linford Christie and Baroness Floella Benjamin. When
I was little, I used to have the same plait and beaded hairstyle as Floella and I grew up watching Linford
beat the USA in athletics. I would never have thought I would ever end up working with them. They are now both proudly added to my selfie collection! 

I am a master of many and, yes, I can proudly say that.
I don’t subscribe to the idea that you can only cover one genre well. In other parts of the creative world, people cover multiple genres: people like Jamie Fox and Kano are both actors and musicians. We have so many singers and songwriters, and multidisciplinary artists, like Dr Vanley Burke. We are surrounded by examples of creatives covering many genres, but do not label it as such, or make anything of it – except in photography.

That is not to say there is anything wrong with being 
a master of one genre. It suits some people; it just 
would not suit me. I have always had jobs that require variety, where I do different things on different days. As a photographer, I am just continuing what I have always done in previous roles.

It has turned out nothing like what I expected. I always thought I would be successful shooting weddings and events – there is nothing wrong with these genres, I would have been happy if this was my path.

But my career has gone beyond what I ever imagined.
I attended The Photography Show and its predecessor for many years whilst a student and in the earlier parts of my career. I attended talks, met up with friends and made purchases. Now I am one of the speakers that others are coming to see and I have had amazing feedback from speaking in previous years. How about that for the world throwing curveballs I didn’t expect?

Last month, I photographed The Fashion Awards, a red carpet of people I have watched on TV. I have shot premieres for Netflix series, like The Crown, and then suddenly, the actors were standing in front of me.

I spent part of my summer at the Cannes Lions Festival, a festival of creativity for the leading creative agencies and big companies in the world, attending as a delegate creative workshops run by well-known names including Halle Berry, will.i.am, Kevin Hart, Denai Guerra and Issa Ray, to name just a few. 

I could offer so many similar anecdotes that could probably fill the magazine! I now earn what I did in a month in a few days. I do a job I love that brings me to amazing places and I have the freedom to give back. It is not where I thought I would be but I always say I feel completely blessed to be where I am.

This is going to sound simple, but practice! Nothing is going to happen without you being able to deliver when opportunities come your way, or having a portfolio so clients will want to hire you. The first thing to work on is your portfolio and getting to know how to deliver in any situation, knowing your camera inside out. I hear some photographers speak about not having picked up their cameras for months and, honestly, I am shocked when
I hear this! If you are not yet full-time, this is your time to have fun and practise without the pressure of deadlines and clients. Shoot something, shoot everything! 

Imagine getting your dream commission but failing because you are unfamiliar with that kind of shoot and aren’t quite sure how to control your lighting in that environment or which lens would be best. Practice
will ensure you do not end up in this predicament.

The first I knew about it was getting a letter one morning. I read it, then wondered who was pranking me. From what I now understand, it works in a similar way to honours, where you are nominated. Then it goes to the university committee, who vote on it. The letter
I received confirmed that it was a unanimous decision and that the committee was particularly excited that
I was an alumnus of the university and that I had stayed in the local area to pass my skills on to others. It also cited that it was for ground-breaking achievements in my field where I was an inspiration to others. Not bad at all for a working-class girl from the Black Country! 

Not specifically, but this is something I do anyway. Being part of the alumni, it also makes sense that I would do some work at my former university. I am currently arranging to do some work with the university photography department. I would have really appreciated hearing from a working photographer
when I was at college, not someone who was famous and beyond my reach, so I hope to be that ‘see it 
so you can be it’ person for others. 

One of the young women from the photography degree also won one of my shadowing opportunities and came to shadow me at one of Birmingham’s biggest award events. She got to have selfies with all her favourite influencers as an added bonus, in addition to learning how to cover a big awards event. 

The last big item was a Canon RF 70-200mm F2.8L IS USM lens after changing to mirrorless last year with a Canon EOS R5. 

I chose that lens because it made sense with my new cameras. Other bits of kit I change periodically, and I am constantly buying stuff. 

Softboxes get tatty and look unprofessional on jobs, batteries do not recycle as quickly after a while and with memory cards I either lose them or lend one to a friend on a job then forget to get it back. I am also always buying peripheral stuff like hand warmers and rain covers.