My Fujifilm X-T1 was lying around completely useless so I bought a lens for it and now I use it almost everyday
The Grand Canal in Venice at Golden Hour(Image credit: Hannah Rooke)
Call me crazy, but I recently bought a new lens for my Fujifilm X-T1.
Nope, you didn’t read that wrong. I still own the original X-T camera released in 2014, and considering it’s nearly a decade old it’s still a brilliant little everyday carry-around. Since I sold my Fujifilm X-T3 it’s sat on my shelf, lensless and useless, but after finding a second-hand XC lens for a bargain price, I thought it was time to bring it out of the shadows.
For all my professional work I use my trusty Sony A7 III, but there are times I don’t need to shoot for a client but still want better photos than my phone can take. Whether I’m at a festival, on holiday abroad, or enjoying a day out in the UK, I love documenting my adventures. But sometimes I don’t want to take my workhorse with me because it’s expensive, it’s pretty big, and – if anything were to happen to it – I’d be stuck when it comes to shooting paid jobs.
When I sold my X-T3 I decided to sell all my lenses with it, as I needed the money to pay for my A7 III. In hindsight I perhaps should’ve held on to the Fujifilm XF 35mm f/2, but I sold it as part of a kit with the body and the XF 18-55mm for a very good price. Ever since then my poor X-T1 hasn't been used, so when I found a used Fujifilm XC 35mm f/2 lens at Wex for just £119 in very good condition I couldn't resist.
Often I’m just walking around and I notice something I want to snap, but don’t bother because I know my phone just won't do it justice. Now I feel like I have a camera I can literally take everywhere with me. The combined weight of the body and the lens is just 565g, which isn’t much more than my 500ml Chilly’s Series 2 bottle when full. It’s perfect for chucking in my tote bag, rucksack or even slinging across my shoulders using my trust Peak Design Lite strap.
The Fujifilm X-T1 might not be as good in low light as newer cameras, or have as many advanced features such as in-body stabilization or lightning-fast autofocus, but for what I need it for it does the job. Personally, I don’t mind pushing the ISO a bit and getting a grainier image. In fact I often add a bit of grain in post anyway, to give that film effect, so it just does that for me. I’m hoping my new/old setup will push me to take more photos and capture even more memories, plus think more creatively about composition since I am limited to just one lens.
I’m sure there will be times when I won’t be able to resist the added capabilities of my Sony A7 III but, ultimately, the best camera you have is the one you have on you – and now I can shoot with a mirrorless system everywhere I go.
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Having studied Journalism and Public Relations at the University of the West of England Hannah developed a love for photography through a module on photojournalism. She specializes in Portrait, Fashion and lifestyle photography but has more recently branched out in the world of stylized product photography. Hannah spent three years working at Wex Photo Video as a Senior Sales Assistant, using her experience and knowledge of cameras to help people buy the equipment that is right for them. With eight years experience working with studio lighting, Hannah has run many successful workshops teaching people how to use different lighting setups.