"I was drawn to the idea of making a quick-fire photo project that had to be done in less than 24 hours… a small 32-page zine about the town"

Grid of images of Hope, British Columbia
(Image credit: Benedict Brain)
About Benedict Brain

Benedict Brain with camera

(Image credit: Marcus Hawkins)

Benedict Brain is a UK-based photographer, journalist and artist. He is an Associate of the Royal Photographic Society and sits on the society’s Distinctions Advisory Panel. He is also a past editor of Digital Camera Magazine, and the author of You Will be Able to Take Great Photos by The End of This Book.

Hope. It was everything I had hoped for! Recently, I was speaking at the Canadian Association of Photographic Arts in Kelowna, Canada. Due to a slight mixup with my itinerary and having to include a ‘Saturday’ in my schedule to keep flight costs down, I had an unexpected 36 hours to get from Kelowna to Vancouver International Airport. I had a rental car, so I scoured the map, delighting at the prospect of a drive through the Rocky Mountains. While I’m sure there were plenty of dramatic ‘classic’ landscape opportunities, they don’t inspire me photographically. 

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Benedict Brain

Benedict Brain is a UK based photographer, journalist and artist. He graduated with a degree in photography from the Derby School of Art in 1991 (now University of Derby), where he was tutored and inspired by photographers John Blakemore and Olivier Richon, amongst others. He is an Associate of the Royal Photographic Society and also sits on the society’s Distinctions Advisory Panel.

Until July 2018 Benedict was editor of Britain’s best-selling consumer photography magazine, Digital Camera Magazine. As a journalist he met and interviewed some of the world’s greatest photographers and produced articles on a wide range of photography related topics, presented technique videos, wrote in-depth features, curated and edited best-in-class content for a range of titles including; Amateur Photographer, PhotoPlus, N-Photo, Professional Photography and Practical Photoshop. He currently writes a regular column, The Art of Seeing, for Digital Camera magazine.