What takes over 71,922 shots but only 500 bullets? Catching a bullet with a Nikon Z9

Peter Russell - picture of an Army Cadet firing a gun with the bullet visible
(Image credit: Peter Russell / Army Cadets)

I was keen to buy the Nikon Z 9 to photograph bullets after seeing a Nikon advert of a biathlete with a rifle round visible leaving the muzzle of a match rifle taken by a Z 9 armed photographer. It was given in these pages as a reason the image showing the bullet seen near Trump was real.

I was not expecting the task to be the easiest that I had ever undertaken, but I had still underestimated the effort involved. 

5.56mm NATO ammunition has a muzzle velocity of around 900m/s.

Thus in 1/125 sec the rifle bullet travels around 7m – using the slowest shutter speed to get 120 frames in one second. In 1/250 sec the bullet travels around 3.5m

In 1/500 sec the bullet travels around 1.7m and so on up to 1/32000 sec where the bullet travels 0.026m.

It needs skill and planning, allied to a huge dollop of luck, to succeed.

I spent my first day on the range, with no real expectation of being able to get anything useful. I varied my distance from the shooters, using the NIKKOR Z 70-200mm f/2.8 VR S lens. I had the luxury of time and lots of ammunition, varying shutter speeds for each sequence, starting from 1/500th sec and going all the way to 1/32,000th sec. All shots were hand-held from a prone position.

I shot 20,922 images and things didn’t look too hopeful, but I was able to track back to the visible point of firing, the smoke exiting the muzzle – the bullet being long gone by then. By tracking back and keeping an eye on the firer’s trigger finger, I was able to distinguish images that exhibited what I was looking for and found that I had captured ten bullets. The most obviously ‘bullet looking’ images were taken at speeds faster than 1/10,000th sec.

More than a day...

On my second day, I was able to isolate the shooter against a neutral background, using the NIKKOR Z 24-70mm f/4 lens – because my proximity allowed for no other option. (Do check the guide to the best Nikon Z lenses.) 

I took 51,598 shots of 300 rifle rounds expended, obtaining 36 images of bullets. Most were taken at 1/32,000th sec. (That is about a 0.07% success rate.)

A longer lens is preferable if the situation allows, as photographing at right angles to the line of fire means that the bullet will always be in focus during its flight, with a shallow depth of field allowing the bullet to be seen more clearly.

Captured at 1/16,000 sec (the bullet is more visible if you use the view full screen (Image credit: Future)

I had assumed that the Norwegian biathlete on Nikon's example used a 7.62mm NATO round travelling at around 2,900m/s, but after one contacted me I discovered that they use .22in LR ammunition which ‘only’ has a muzzle velocity of 350-500m/s. So I had succeeded beyond my wildest dreams, managing to capture bullets in flight in 46 frames out of 71,922 frames taken.

Without a Nikon Z 9 I would have achieved nothing, but I can say no longer is a photo of a rifle firing defined only by showing the empty cartridge case ejecting.

Richard wrote this summary of his experience for DCW, but if you crave more detail you'll find it on his site.

Peter Russell

Peter formed the Military Picture Library in 1971 after leaving school, initially shooting and supplying defence-related images to a wide variety of markets via Spectrum Colour Library, an established stock library. He has gone on to document Bear Grylls record-breaking Champagne Mumm Altitude Challenge.

Peter is a WO2 in the Army Cadets, working as Master Photographer/Regional Media Officer for Headquarters South West. Some 50% of all published material used by Army Cadets nationwide is my work.

Additionally, I also work as an air-to-air photographer in WW2-era Tiger Moth biplanes, shooting stills and video.

He has published a fine art book with co-author Neil Mercer, Spirit of Dartmoor Tin.

Read more
Nikon Coolpix P1100 superimposed on a photograph of Bath
You HAVE to see this! The Nikon Coolpix P1100's 24-3000mm zoom range is bonkers
Nikon
I dusted off my old Nikon D750 DSLR for one last shoot – can it still perform in 2025?
Nikon Z9
The best lenses for the Nikon Z8 and Z9: top-flight lenses for these top-of-the-range cameras
Photographer James Artaius using the Sony A9 III with Sony 300mm lens, standing in a floodlit track and field stadium at night
Best camera for sports photography in 2025: get in on the action!
Nikon Lunar camera
Nikon showcases advancements in its lunar camera at CES 2025
Nikon Coolpix P1100 product shot
Nikon Coolpix P1100 review
Latest in Mirrorless Cameras
Canon EOS R3 at Lowest-ever price
The Canon R3 has a MASSIVE $1,000 discount in the Amazon Big Spring Sale
Nikon Zf + 40mm
The Nikon Zf with matching 40mm lens DROPS to new-low in the Amazon sale
Taylor swift, wearing her hair in pigtails with a cream colored sweater, standing at a microphone, with an Olympus OM-D E-M10 Mark IV next to her and the text "Price drop"
Want Taylor Swift's camera? Buy it today and get a FREE lens
OM System OM-1 camera deal
Holy cow! OM System OM-1 camera drops to its lowest price ever!
Fujifilm GFX 100RF camera on a red table in bright sunlight
Fujifilm GFX100RF review: medium format marvel
A female photographer using the Sony A7 III in a brightly lit street at sundown, with the text "Price drop"
Sony A7 III drops to lowest-ever price in this amazing Walmart camera deal
Latest in Features
The Canon PowerShot V1 on the left and the Canon G7 X Mark III on the right
The Canon PowerShot V1 is good, but it’s no Canon G7 X. Is the newer camera the better choice? The answer isn’t so obvious
Delicate morning flowers with soft purple hues stand amidst lush greenery in a misty, serene landscape
"I think social media isn't an attractive option for photographers at the moment"
A winning image from the World Press Photo awards
These images are uncomfortable to look at. But that’s the point. Meet the winning World Press Photos
Black and white image montage, three images showing scenes from the streets of Barcelona
“If you want to photograph a dynamic scene, you have to make do without a tripod”, I just love this cinematic night shoot!
Jacob Watson-Howland's image of a snowdrop in low-light, captured with a slow shutter speed to create a painterly abstract effect
“I didn’t bring a tripod. Big mistake.” Second attempt at low-light plant portrait lands young photographer prestigious award
A monochromatic image, showing a girl that looks through a door or window with an obscure view
These are the winners from Digital Photographer's captivating portraits contest