Like or hate social media, my creative life would
not be the same without it, says pro photographer Verity Milligan
Verity now tries not to put too much emphasis on the number of likes an image receives online(Image credit: Verity Milligan)
Meet the pro: Verity Milligan
(Image credit: Verity Milligan)
Verity is a landscape and commercial photographer based in Birmingham, UK. She’s also an ambassador for Zeiss lenses and a workshop leader with Light and Land.
I think you’d struggle to find a creative who doesn’t occasionally have a love/hate relationship with social media, and I’m no exception. However, the irony is not lost on me that without social media my life would look very different indeed.
Seemingly by luck, or accident, my photographic career was catapulted to a different stratosphere by various social media platforms, notably Twitter, and I’ve spent the years since feeling equally grateful and bewildered by the opportunities that befell me from merely sharing my work without any real expectation.
For me, success has always been a doubled-edged sword as with achievement comes expectation, internal and external. I find it extremely difficult not to place emphasis on the number of likes or shares an image receives, and it’s easy to fall into the trap of thinking success equates with quality.
I’m sure there are some who transcend this, but it takes a stronger disposition than mine. I’ve found that over the years, especially on Instagram, I’ve been somewhat conditioned to share photos that I know will do well, and I don’t feel I’m alone in falling into this routine.
I’ve recently pondered on whether this has indeed influenced me and the impact this has inevitably had on my creativity. The outcome has been a reluctance to share imagery on the platform.
However, Instagram has now made it possible not only to hide the like count of your posts, but also to hide the like count of everyone else’s posts too. It means the end of the popularity contest, placing emphasis back on the image, encouraging people to engage and really ‘see’ the photo.
Without the pressure to stay on-theme for the sake of likes, Instagram has once again become a place of creative freedom
Verity Milligan
As a pro photographer it feels like a game changer. Although I’m ostensibly a landscape photographer, I’ve never been comfortable as a ‘one-trick pony’ and have always dabbled in different genres, from cityscapes to macro.
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Without the pressure to stay on-theme for the sake of likes, Instagram has once again become a place of creative freedom, a place to experiment and connect in a deeper way than before. I’ll always be grateful that social media opened the gateway to a creative life, but I’m also hopeful that the next chapter will be less about popular opinion and more about creative freedom and community.
Lauren is a writer, reviewer, and photographer with ten years of experience in the camera industry. She's the former Managing Editor of Digital Camera World, and previously served as Editor of Digital Photographer magazine, Technique editor for PhotoPlus: The Canon Magazine, and Deputy Editor of our sister publication, Digital Camera Magazine. An experienced journalist and freelance photographer, Lauren also has bylines at Tech Radar, Space.com, Canon Europe, PCGamesN, T3, Stuff, and British Airways' in-flight magazine (among others). When she's not testing gear for DCW, she's probably in the kitchen testing yet another new curry recipe or walking in the Cotswolds with her Flat-coated Retriever.
