7Artisans' affordable full-frame fisheye lens gets rear ND bundle release

7Artisans FF 9mm f/5.6 ASPH and two rear ND filters on a pink gradient background
7Artisans has enhanced its FF 9mm f/5.6 ASPH offering via a trio of rear ND filter bundles (Image credit: 7Artisans / Digital Camera World)

Attaching conventional filters to a fisheye lens can be problematic due to the bulbous front element impeding a conventional screw-in filter or slot-in filter holder. 7Artisans has combated this problem by essentially re-releasing its existing FF 9mm f/5.6 ASPH in a variety of rather neat rear ND filter bundles.

Rear ND filters attach to the rear element that sits closest to the camera's sensor, completely mitigating a fisheye's spherical front optic. The previously available 7Artisans FF 9mm f/5.6 ASPH can now be purchased in three rear filter packages: an ND64 ($479), ND1000 ($479) and ND64/ND1000 ($499). An ND64 is a six-stop ND, while an ND1000 is a 10-stop ND filter, ideal for capturing long exposures.

The full-frame lens itself boasts an ultra-wide 132-degree field of view and is available for Sony E, Canon EOS R, Nikon Z and Panasonic L mounts. It comes with a wide-angle lens hood and is constructed from 16 lens elements in 11 groups. Two aspherical lenses help reduce distortions and boost image quality.

A 0.2-m minimum focus distance provides close-up options, and a five-bladed aperture allows the lens to render attractive 10-point starbursts. The aperture range is f/5.6 to f/22. A clicky aperture ring and numerals on the lens give it a bit of a retro-cool vibe, and an all-metal body is said to improve durability. The optic weighs approximately 463g, has a diameter of roughly 2.75in (70mm), and a length of 3.4in (86mm).

This is the second piece of fisheye news from 7Artisans this week, after the outfit updated its 10mm f/2.8 fisheye lens to shoot sharper and wider, via the 7Artisans 10mm f/2.8 II. So, it's been a great few days if you're looking for an affordable ultra-wide lens!

Interested in wide-angle photography? Check out the best tripods and the best cameras for landscape photography.

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Mike Harris
How To Editor

Mike is Digital Camera World's How To Editor. He has over a decade of experience, writing for some of the biggest specialist publications including Digital Camera, Digital Photographer and PhotoPlus: The Canon Magazine. Prior to DCW, Mike was Deputy Editor of N-Photo: The Nikon Magazine and Production Editor at Wex Photo Video, where he sharpened his skills in both the stills and videography spheres. While he's an avid motorsport photographer, his skills extend to every genre of photography – making him one of Digital Camera World's top tutors for techniques on cameras, lenses, tripods, filters and other imaging equipment – as well as sharing his expertise on shooting everything from portraits and landscapes to abstracts and architecture to wildlife and, yes, fast things going around race tracks...