The AstrHori 50mm F1.4 tilt lens is a bargain tilt lens for mirrorless Canon, Nikon, Sony, Fujifilm, and L-mount cameras
(Image credit: AstrHori)
Tilt-shift lenses are specialist pieces of kit, with own-brand offerings from the likes of Canon or Nikoncommanding prices north of $1000. Even a third-party offering from a brand such as Samyang/Rokinon will likely set you back $500+. But here we have a tilt lens for a mere $259!
The AstrHori 50mm F1.4 tilt lens is one of a growing range of lenses from the AstrHori brand, itself founded in 2018. It's a full-frame lens available only for mirrorless cameras, but all major mount options are catered for: Canon RF, Nikon Z, Sony E, Fujifilm X and L-mount.
The lens is comprised of 7 elements arranged in 6 groups, incorporating aspherical and Extra Low Dispersion (ED) elements to reduce aberrations and flare. An all-metal barrel with a metal mounting plate give a premium feel, while a 52mm filter thread allows fitment of polarizing or neutral density filters.
(Image credit: Future)
Of course, you don't get a lens this cheap without some compromises. The big one here being that this is a tilt-only lens, without any shift ability. This means you can't control perspective and converging verticals in your images, but the tilt ability does still enable precise control over the lens's focal plane, making for some interesting focussing effects.
(Image credit: Future)
The AstrHori 50mm F1.4 tilt lens is also a fully manual lens, so you'll have to do without autofocus, and also any electrical contacts between camera body and lens. However, the latter needn’t be a deal breaker, as the auto exposure preview of mirrorless cameras make it far easier to expose a shot than would have been the case with a DSLR.
We currently have a sample of the 50mm F1.4 tilt lens in our lab for testing, so expect a full review soon. In the meantime, you can check out the full range of AstrHori mirrorless lenses by visiting the manufacturer’s Amazon store, which includes 10mm and 14mm full-frame pancake lenses, as well as 24mm, 27mm, 35mm and 40mm optics, all with multiple mount options.
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Ben is the Imaging Labs manager, responsible for all the testing on Digital Camera World and across the entire photography portfolio at Future. Whether he's in the lab testing the sharpness of new lenses, the resolution of the latest image sensors, the zoom range of monster bridge cameras or even the latest camera phones, Ben is our go-to guy for technical insight. He's also the team's man-at-arms when it comes to camera bags, filters, memory cards, and all manner of camera accessories – his lab is a bit like the Batcave of photography! With years of experience trialling and testing kit, he's a human encyclopedia of benchmarks when it comes to recommending the best buys.
