Black and white helped my old DSLR camera have a new life, and it could save yours too!
(Image credit: Future / Sebastian Oakley)
There has been a discussion, ever since the first color film canister rolled off the production line, about whether black and white is more timeless than color. If you asked me that 10 years ago, when I was knee-deep in several of the best Nikon cameras of the time, only shooting color, I would have said: "Of course not, we all see in color."
However, now I'm a bit older – and maybe wiser? I have fallen in love with black and white photography for that "timeless look" and it looks like something different in a world full of color. I now shoot 95% of my work in black and white. Because of the process, it helped save my best DSLR in my kit, the Nikon D800 from the scrap heap and became a camera that I truly enjoy using again.
Now before anyone starts, I understand this is not a "true" monochrome shooting experience, which would see a camera have its Bayer filter removed. My black and white settings are just a jpeg preset – but with a twist!
I have always been a big advocate of using Kelvin white balance settings to get the sharpest images possible, but I have always set my own image profile settings to in camera. – and these two combined give me a look I truly wanted for my black and white photography.
I understand these are just jpeg settings, but if you get it right in-camera then you have no editing to do later. That's a win-win in my book. It also made me take this now 12-year-old camera back out of retirement, rather than ending up on the scrap heap, or worse the dreaded display shelf! Sorry to my first Nikon D2H that's currently on the said shelf all battered and bruised as a display trophy of my photography career.
Since moving to the Leica M-system, my trusty Nikon D800 that travelled the world with me hadn't been picked up in over two years.
While I say it is saved from the scrap heap, I have had a habit of keeping all my old cameras until they don't turn on anymore. Like the Nikon D1 I have. Yes, I still have the very first Nikon digital camera ever made. I can't even use it as I've no battery charger to charge the battery anymore. It's 25 years old and I still haven't thrown it away yet!
Get the Digital Camera World Newsletter
The best camera deals, reviews, product advice, and unmissable photography news, direct to your inbox!
But switching my D800 into a B&W image preset of my own making (adjusting contrast, grain, saturation, and sharpness from the original Mochochrome setting built into the Nikon D800) made me want to pick up this clunky DSLR more. Now I'm pleased to say that it's in a constant rotation of cameras I go out to use on a weekly basis.
So let this be a lesson to all, if you have cameras of yester-year lying around why not take them out of retirement and use them for something you never used to shoot them for, or simply start shooting in black and white as I did – it's a very surreal experience, enjoying equipment that you had long forgotten about and finding new use for it.
I highly recommend it. It has kept my Nikon D800 alive 12 years on, and sparked a new interest in my photography, winning all around in my book, and best of all it didn't cost me a single penny to do!
Thank you for reading 5 articles this month* Join now for unlimited access
For nearly two decades Sebastian's work has been published internationally. Originally specializing in Equestrianism, his visuals have been used by the leading names in the equestrian industry such as The Fédération Equestre Internationale (FEI), The Jockey Club, Horse & Hound, and many more for various advertising campaigns, books, and pre/post-event highlights.
He is a Fellow of The Royal Society of Arts, holds a Foundation Degree in Equitation Science, and is a Master of Arts in Publishing. He is a member of Nikon NPS and has been a Nikon user since the film days using a Nikon F5 and saw the digital transition with Nikon's D series cameras and is still to this day the youngest member to be elected into BEWA, The British Equestrian Writers' Association.
He is familiar with and shows great interest in street, medium, and large format photography with products by Leica, Phase One, Hasselblad, Alpa, and Sinar. Sebastian has also used many cinema cameras from the likes of Sony, RED, ARRI, and everything in between. He now spends his spare time using his trusted Leica M-E or Leica M2 shooting Street photography or general life as he sees it, usually in Black and White.