Red gives its V-Raptor cameras new Super35 sensors – but the price still has a nasty bite!
(Image credit: RED)
Red's 8K Raptor cameras, previously equipped with the company's full-frame Vista Vision sensor, are now available with Super35 sensors. The announcement came without much fanfare, perhaps because it was always on the cards that Red would eventually bring the Super35 format to the DSCM 3 camera lineup.
The Super35 versions of the Red V-Raptor and Red V-Raptor XL camera systems are otherwise essentially the same as their full-frame counterparts, which ranked among the best cinema cameras for hi-res shooting. The new 8K Super35 sensor has the same scan times as the 8K Vista Vision sensor – which is twice as fast as previous generations, while maintaining an impressive dynamic range of 16.5+ stops.
These new Super 35 cameras feature a 35.4MP CMOS sensor with dimensions of 26.21 x 13.82mm, which can be used with lenses that cover up to a 29.63mm image circle – making them a great choice for your next short film, or to pick take your production company to the next level.
The V-Raptor S35 features an integrated Canon RF mount, and it is also compatible with RF/EF mount adapters. With the RF mount, you can also use a variety of adapters to put various different lenses on the camera.
If your lenses are PL-mount then you might want to take a look at the V-Raptor XL, which comes standard with a PL mount. It comes at a cost, however: a $17,000 premium, which is an insane price increase just to have a standard PL-mount camera. The XL does boast more professional inputs and features than the regular Raptor, but the price really is a bitter pill to swallow.
The V-Rapoter and V-Raptor XL are capable of recording in the following resolutions and frame-rates:
Get the Digital Camera World Newsletter
The best camera deals, reviews, product advice, and unmissable photography news, direct to your inbox!
8K: 120 fps at 8K 17:9 (8192 x 4320), 150 fps at 8K 2.4:1 (8192 x 3456), 140 fps at 7K 17:9 (7168 x 3780), 175 fps at 7K 2.4:1 (7168 x 3024)
6K: 160 fps at 6K 17:9 (6144 x 3240), 200 fps at 6K 2.4:1 (6144 x 2592)
5K: 192 fps at 5K 17:9 (5120 x 2700), 240 fps at 5K 2.4:1 (5120 x 2160) 2
4K: 40 fps at 4K 17:9 (4096 x 2160), 300 fps at 4K 2.4:1 (4096 x 1728)
3K: 320 fps at 3K 17:9 (3072 x 1620), 400 fps at 3K 2.4:1 (3072 x 1296)
2K: 480 fps at 2K 17:9 (2048 x 1080), 600 fps at 2K 2.4:1 (2048 x 864)
The Red V-Raptor 8K S35 and Red V-Raptor XL 8K S35 are available to order directly from Red.com or through any of Red's authorized resellers. The standard 8K S35 is priced at $17,995 (approximately £15,114 / AU$27,157) while the XL, which can be equipped in either V-Lock or Gold Mount, retails for a whopping $34,995 (roughly £29,396 / AU$52,813)
While these cameras are going to be out of the price range for many (including me), it's great to see Red expanding its lineup and keeping the Super35 format alive.
If you're a keen filmmaker you might want to check out the best 8K and 6K cameras or best cameras for filmmaking to give you an idea of which body will best suit your needs. Likewise, the best cine lenses points you towards some of the best lenses for cinematography.
Thank you for reading 5 articles this month* Join now for unlimited access
For nearly two decades Sebastian's work has been published internationally. Originally specializing in Equestrianism, his visuals have been used by the leading names in the equestrian industry such as The Fédération Equestre Internationale (FEI), The Jockey Club, Horse & Hound, and many more for various advertising campaigns, books, and pre/post-event highlights.
He is a Fellow of The Royal Society of Arts, holds a Foundation Degree in Equitation Science, and is a Master of Arts in Publishing. He is a member of Nikon NPS and has been a Nikon user since the film days using a Nikon F5 and saw the digital transition with Nikon's D series cameras and is still to this day the youngest member to be elected into BEWA, The British Equestrian Writers' Association.
He is familiar with and shows great interest in street, medium, and large format photography with products by Leica, Phase One, Hasselblad, Alpa, and Sinar. Sebastian has also used many cinema cameras from the likes of Sony, RED, ARRI, and everything in between. He now spends his spare time using his trusted Leica M-E or Leica M2 shooting Street photography or general life as he sees it, usually in Black and White.