Glossy is the new black: Leica M11 Black Paint lands with matching Noctilux-M 50mm f/1.2

Leica M11 Black Paint pair with the Noctilux-M 50mm f/1.4 ASPH in black paint against a moody background
Leica M11 Black Paint pair with the Noctilux-M 50mm f/1.4 ASPH (Image credit: Leica)

Leica has unveiled the Leica M11 and the renowned Leica Noctilux-M 50 f/1.2 ASPH. lens in an elegant glossy black finish. The M-System remains synonymous with the Leica brand, embodying the timeless aesthetic and intricate craftsmanship that have defined Leica for decades.

This glossy black paint finish is regarded as the purest and strongest expression of the classic Leica look. Over time, through frequent use, the camera’s finish evolves, partially revealing the brass beneath and creating a distinctive patina that reflects each user’s journey. The first Leica M3 with this elegant finish appeared in 1962 and was met with great enthusiasm.

The new Leica M11 edition merges the series model’s cutting-edge technology with classic design elements. Its brass top plate, dials, and on/off switch feature a glossy black paint finish.

Additional elegant touches include the “Leica” engraved seamlessly on the top plate and a glossy silver-chromed shutter button that recalls the historic M-Camera. The intricate cross-knurling on the time and ISO dials demonstrates Leica’s careful attention to detail.

Notably, the iconic red Leica dot has been deliberately omitted, emphasizing the M-Camera’s understated elegance — a design choice appreciated by photographers worldwide - Including me!

The new Black Paint Noctilux-M 50 f/1.2 ASPH. (Image credit: Leica)

Leica also introduces a glossy black paint of the Noctilux-M 50 f/1.2 ASPH. lens. Designed to perfectly complement the glossy black M-camera, this lens is a new take on a classic model celebrated for its exceptional image quality, light intensity, and signature bokeh.

The glossy black variant includes a round lens hood, front and rear lens caps in matching glossy black, and a red “feet” scale of days gone by, to add another layer of Leica history.

New taupe-colored leather Protector for the Leica M11 (Image credit: Leica)

Additionally, Leica is releasing three premium M accessories made from high-quality cowhide leather in a new taupe color. From November 21, the adjustable carrying strap, M11 protector, and M-System case will be available in this stylish shade.

The new Leica M11 in glossy black paint has a recommended retail price of $9,195 / £7,900 / AU$15,590.

While the glossy black paint Leica Noctilux-M 50 f/1.2 ASPH. lens is priced at $9,295 / £7,200 (Australian pricing to be confirmed). Both products are now available worldwide at Leica stores, the Leica Online Store, and authorized retailers…

Preorder the Leica M11 Black Glossy Paint at:
🇬🇧 Wex Photo Video
🇺🇸
B&H Photo

Preorder the Leica Noctilux-M 50 f/1.2 Black Glossy Paint at:
🇬🇧 Wex Photo Video
🇺🇸 B&H Photo

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Sebastian Oakley
Ecommerce Editor

For nearly two decades Sebastian's work has been published internationally. Originally specializing in Equestrianism, his visuals have been used by the leading names in the equestrian industry such as The Fédération Equestre Internationale (FEI), The Jockey Club, Horse & Hound, and many more for various advertising campaigns, books, and pre/post-event highlights.

He is a Fellow of the Royal Society of Arts, holds a Foundation Degree in Equitation Science, and holds a Master of Arts in Publishing. He is a member of Nikon NPS and has been a Nikon user since his film days using a Nikon F5. He saw the digital transition with Nikon's D series cameras and is still, to this day, the youngest member to be elected into BEWA, the British Equestrian Writers' Association.

He is familiar with and shows great interest in 35mm, medium, and large-format photography, using products by Leica, Phase One, Hasselblad, Alpa, and Sinar. Sebastian has also used many cinema cameras from Sony, RED, ARRI, and everything in between. He now spends his spare time using his trusted Leica M-E or Leica M2, shooting Street/Documentary photography as he sees it, usually in Black and White.