Leitz launches three new Hugo II cinema lenses to the range adding 66mm, 75mm, and 90mm for filmmakers
(Image credit: Leitz)
Leitz has introduced three new lenses to its HUGO II series, adding to the 10 existing focal lengths in the popular HUGO line. The new additions include the 66mm, 75mm, and 90mm T2.1 lenses, which are distinguished by their slower aperture and more compact size. These lenses bring unique visual characteristics, with the 75mm and 90mm offering size advantages and the 66mm lens filling the gap between the 50mm and 75mm focal lengths.
Leitz Hugo II 66mm (Image credit: Leitz)
The 66mm T2.1 lens has an intriguing history, inspired by the legendary "spy lens" developed by Leica lens designer Walter Mandler for the US Navy during the Cold War. Known for its ultra-high resolution and originally never intended for public use, fewer than 200 of these lenses were produced. Leitz has slightly updated Mandler's design, blending its vintage pedigree with modern-day capabilities, resulting in a lens that delivers sharp, character-rich images, consistent with the rest of the HUGO family.
The new 75mm and 90mm T2.1 lenses are derived from Leica's well-known Summicron-M lenses. Although one stop slower than the T1.5 versions, their smaller size and lighter weight make them nearly identical in dimensions to other HUGO lenses wider than 50mm. This design update allows Leitz to offer complete conversions of Leitz M 0.8 lenses to the HUGO series, maintaining the longer focal lengths without sacrificing performance.
Leitz Hugo II 75mm (Image credit: Leitz)
Leitz Hugo II 90mm (Image credit: Leitz)
With the addition of the HUGO II series, Leitz now boasts a total of 13 focal lengths in the HUGO family, ranging from 18mm to 135mm. Available in both LPL and L mounts, these lenses provide filmmakers with versatile tools that combine historical design elements with modern optics for high-quality cinematic imaging.
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For nearly two decades Sebastian's work has been published internationally. Originally specializing in Equestrianism, his visuals have been used by the leading names in the equestrian industry such as The Fédération Equestre Internationale (FEI), The Jockey Club, Horse & Hound, and many more for various advertising campaigns, books, and pre/post-event highlights.
He is a Fellow of The Royal Society of Arts, holds a Foundation Degree in Equitation Science, and is a Master of Arts in Publishing. He is a member of Nikon NPS and has been a Nikon user since the film days using a Nikon F5 and saw the digital transition with Nikon's D series cameras and is still to this day the youngest member to be elected into BEWA, The British Equestrian Writers' Association.
He is familiar with and shows great interest in street, medium, and large format photography with products by Leica, Phase One, Hasselblad, Alpa, and Sinar. Sebastian has also used many cinema cameras from the likes of Sony, RED, ARRI, and everything in between. He now spends his spare time using his trusted Leica M-E or Leica M2 shooting Street photography or general life as he sees it, usually in Black and White.
