Nikon replacing Canon on cinema cameras? Here's what to expect from the Nikon-Red acquisition

If you haven't heard on the grapevine that camera goliath Nikon has bought cinema camera giant Red, then I've no idea what rock you've been living under for the past week! But it's true: in a bizarre turn of events that I think no one saw coming, Nikon now owns Red.

Of course, since this announcement, the rumor mills have been churning out rumblings of what this acquisition could mean for Nikon and Red cameras going forward – and I'm here to separate the wheat from the chaff. 

I've been a Red user for over eight years, and been interested in the brand long before that. I actually saw the brand offer Nikon F-mount options with the Red One, and then saw it ditch that later for the Canon EF mount. But is the Nikon mount coming back to Red? 

I have seen a list of "possible" options from Nikon Rumors and, while some seem farfetched to me, others could be a great move for both companies going forward. 

R3D RAW

I think the most sought-after feature that all Nikon users want is the R3D RAW video codec that Red cameras are renowned for. This proprietary codec has given filmmakers massive control over how their visuals can look – in fact, I once shot an interview piece that I completely overexposed, and with the R3D RAW file I was able to bring the levels down to such a degree that you wouldn't know there was even a problem. It's that good!

But I don't think we will ever see that arrive on Nikon cameras. I mean, think about it: the R3D codec is one of the main draws to spending the massive bucks on a Red camera in the first place. Why would you spend $40,000 on a Red camera if a Nikon Z9 successor could also shoot in R3D RAW for a fraction of the price? It just doesn't make sense financially.

Z-mount on Red cameras

I can see this being a very viable option, and might bring users over to using Red cameras. Today you can order Red digital cinema cameras in either a PL or a Canon RF mount, so if you don't have the Hollywood budget for PL lenses then the only option is to buy Canon glass.

If the new Red cameras launch with a Nikon Z mount, that opens up a whole world of possibilities – and more importantly, opportunities for Nikon users and the company itself to produce cine lenses just for video use. Which in turn can be used on Red cameras and Nikon Z-system cameras alike.

Red sensors in Nikon bodies

This is an interesting one. Not only does Red work endlessly to produce the best sensors out there for video, it also fine-tunes them to produce some of the best visuals. Could Red and Nikon co-develop sensors and mass produce them? Yes, they could. Will they? I'm not sure, as Nikon is currently using Sony sensors in its cameras – but now that it owns Red, this does open the door to producing its own sensors and technology. It's an interesting idea, and would certainly cut the costs down, so let's watch this space closely!

This new acquisition certainly opens the doors to a much wider audience for both brands. However, some lines will need to be drawn to keep both companies viable in their respective fields. After all, they still want customers to buy a $40K Red cinema camera, with other people buying a $5K camera with 8K video capabilities.

There are certainly a lot more questions than answers, but I'm sure we will get an announcement or statement soon on how these goliaths will move forward – and when they do, you'll be sure to find us talking about it!

You might be interested in the best cinema cameras and the best 8K cameras, along with the best cameras for filmmaking in general.`