Oppenheimer rockets IMAX development for 4 new cameras and new 70mm projectors, with a fresh 7-year plan
(Image credit: IMAX)
It's safe to say that IMAX is one of the biggest names in cinema, with the brand having multiple Hollywood blockbusters, Oscars and Emmy Awards to its name.
Since the release of Oppenheimer, IMAX has experienced a significant boost at the box office, with the weekend opening making $35 million. That's a massive 20% of the global gross, coming from only 740 true IMAX cinemas that can show the 70mm film from analog IMAX 1570 projectors – which offer a massive 16K resolution when compared to the 4K IMAX laser digital projectors.
Because of this, and the uptake in cinemagoers wanting to watch IMAX films at these cinemas showing Oppenheimer in its true 70mm 16K projection, CEO Richard Gelfond stated in the company's Q3 2023 financial results:
"It is increasingly clear that the future of the movie business is IMAX, as moviegoers show a growing preference for the premium IMAX Experience, our market share remains robust, and our network and content portfolio expand in the most promising international growth markets for global cinema.
IMAX Digital projector (left) next to IMAX 1570 projector (right) (Image credit: IMAX)
"This past weekend demonstrates the paradigm shift at hand in moviegoing, as IMAX drove strong double-digit market share with a trio of Hollywood and local releases – led by the stunning performance of Oppenheimer – lifting the company to one of its best weekends of all time at the global box office."
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Due to this increase, the company is also developing new IMAX Generation 2 analog cameras – and is now also looking to develop new 70mm film projectors and rebrand others.
"We already said we are going to build new film cameras," added Gelfond in the results Q&A (via YM Cinema). "As for the projectors, they are all dated. There’s currency [sic] no new generation of those projects. But we are thinking about more opportunities regarding this. For instance, building new 70mm projectors, and branding other 70mm projectors with IMAX. We are aggressively searching for more opportunities in that regard."
What is certain is that IMAX is taking film seriously – and it's here to stay. As the brand develops more full IMAX Experience theaters, the love of film can live on and be enjoyed far and wide in true analog style.
And with the involvement of Kodak, Panavision, Christopher Nolan and more, I am hoping and expecting big things from IMAX with the new generation of cameras and projectors in the future.
For nearly two decades Sebastian's work has been published internationally. Originally specializing in Equestrianism, his visuals have been used by the leading names in the equestrian industry such as The Fédération Equestre Internationale (FEI), The Jockey Club, Horse & Hound, and many more for various advertising campaigns, books, and pre/post-event highlights.
He is a Fellow of The Royal Society of Arts, holds a Foundation Degree in Equitation Science, and is a Master of Arts in Publishing. He is a member of Nikon NPS and has been a Nikon user since the film days using a Nikon F5 and saw the digital transition with Nikon's D series cameras and is still to this day the youngest member to be elected into BEWA, The British Equestrian Writers' Association.
He is familiar with and shows great interest in street, medium, and large format photography with products by Leica, Phase One, Hasselblad, Alpa, and Sinar. Sebastian has also used many cinema cameras from the likes of Sony, RED, ARRI, and everything in between. He now spends his spare time using his trusted Leica M-E or Leica M2 shooting Street photography or general life as he sees it, usually in Black and White.
