Analogue photography is alive and kicking, with innovative ready-to-use pinhole camera
At an event where the very latest bleeding-edge cameras were present – like the medium-format, image-stabilized Fujifilm GFX100 and the seamlessly stitching Ricoh Theta Z1 360 cam – one product stuck out like a sore thumb at The Photography Show: the Solarcan.
“Some of the pro photographers are really struggling to understand that we’ve brought it back to basics,” says Sam Cornwell, who along with wife Beverley is the driving force behind this extreme-time exposure camera.
“They look at this and say, ‘That can’t be a camera,’ but yes it’s a camera! If you think about what a camera is, it’s a box, where light can pass through and expose onto something that’s light-sensitive inside. And that’s what we’ve created, so I challenge anyone to make a simpler version of one of these.”
The Solarcan takes extreme-time exposures of the sun – we’re talking days, weeks, months or even years. You simply remove the black tab to let the sun’s rays pass through the pinhole and onto the photographic paper inside, then when you’re ready to ‘develop’ you just remove the paper, take a photo of it or scan it, and then invert the image.
It’s a brilliantly simple device, and one of the increasing number of crowdfunded photographic success stories. “We hit 1,000% of our goal on the Kickstarter two years ago, and we’ve been on a slow upsurge since, so being at The Photography Show is our way of announcing ourselves on the world stage.”
“It’s really important to stress what Solarcan is: it’s people’s entrance into the analogue film community. So there’s a resurgence with the film photography market, which sort of died 20 years ago or so, but it’s slowly coming back.
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“And people are coming around now – millennials or people that sort of age are starting to rediscover or, for the first time, find film photography. A lot of our community, it’s the first time they’ve used film. And then they go on to make their own, or start experimenting with 35mm film and analogue cameras."
It’s not just educational in terms of photography; it's also a fascinating way to introduce younger generations to astronomy. “My background personally is art, astronomy and photography,” Cornwell says with a smile. And I like the way Solarcan puts all those things together into one thing, because astronomy is the movement of the sun.
“And you start to understand – I’m showing children this in the last couple of days, and I say, ‘What do you think this line at the bottom is?’ And it’s the winter solstice, where the very low sun has passed, and seeing that lightbulb moment when they understand that the sun actually moves up through the seasons up to the summer solstice – it’s really nice, it’s a great learning experience.”
For more information on Solarcan, including workshops for schools and clubs, visit www.solarcan.co.uk.
James has 22 years experience as a journalist, serving as editor of Digital Camera World for 6 of them. He started working in the photography industry in 2014, product testing and shooting ad campaigns for Olympus, as well as clients like Aston Martin Racing, Elinchrom and L'Oréal. An Olympus, Canon and Hasselblad shooter, he has a wealth of knowledge on cameras of all makes.