I felt lost in my photography, but a photography project gave my work meaning. Here's how
Making a photography project has given my work meaning and definition - I no longer feel lost!

For a long time, I felt lost in my photography. I struggled to define my work, unsure of what images I wanted to take and how they could best be displayed or appreciated. My photography lacked cohesion, and without a clear direction, it often felt like I was capturing isolated moments without a deeper purpose. Each frame, whether digital or film, became part of a growing collection, but I was unsure of their significance beyond being snapshots in time.
That all changed when I began a project documenting "Old Cornwall." This endeavor has provided my photography with a sense of purpose that was previously missing. My images are no longer just fleeting captures; they now serve as a means of preserving Cornwall’s environment and traditions, many of which are under threat from modern living and cultural shifts. This project has given me a framework, a reason to go out and document the world around me with a newfound clarity and intent.
Now, when I photograph an old time mine office, I understand its significance—it is not just an abandoned building but a relic of Cornwall’s rich mining history, a piece of heritage that deserves to be remembered. When I capture a street scene, I know that I am encapsulating a moment in time before inevitable development and modernization alter its character forever. Each image is no longer just a picture; it is a testament to a disappearing way of life.
Every time I raise my camera, whether it’s my Leica film body or a digital counterpart, I know that I am creating something meaningful. No longer are my images confined to a hard drive or a box of negatives, waiting to be rediscovered years later.
Instead, they now contribute to a larger narrative—a visual record of a Cornwall that may not exist in the same form for much longer. This sense of purpose has reinvigorated my photography, transforming it from a passive hobby into an active documentation of history in the making.
This journey has not only changed how I view my own work but also how I engage with the world around me. Every walk through Cornwall, every corner turned, holds the potential for a photograph that matters.
My images now serve a greater good, ensuring that the Cornwall of today is not lost to the passage of time, but instead preserved for future generations to see and appreciate. And in that, I have finally found my direction as a photographer.
For those who may feel lost in their photography, starting a project can be a great way to find new motivation and purpose in your work. Whether it’s creating something from scratch or revisiting your past images to see if they fit into a larger theme, a project can provide structure and inspiration. I highly encourage anyone in a similar position as me to take this step – it might just transform the way you see your own photography.
You may also like
For more inspiration, browse the best film cameras or the best mirrorless cameras.
Get the Digital Camera World Newsletter
The best camera deals, reviews, product advice, and unmissable photography news, direct to your inbox!
For nearly two decades Sebastian's work has been published internationally. Originally specializing in Equestrianism, his visuals have been used by the leading names in the equestrian industry such as The Fédération Equestre Internationale (FEI), The Jockey Club, Horse & Hound, and many more for various advertising campaigns, books, and pre/post-event highlights.
He is a Fellow of the Royal Society of Arts, holds a Foundation Degree in Equitation Science, and holds a Master of Arts in Publishing. He is a member of Nikon NPS and has been a Nikon user since his film days using a Nikon F5. He saw the digital transition with Nikon's D series cameras and is still, to this day, the youngest member to be elected into BEWA, the British Equestrian Writers' Association.
He is familiar with and shows great interest in 35mm, medium, and large-format photography, using products by Leica, Phase One, Hasselblad, Alpa, and Sinar. Sebastian has also used many cinema cameras from Sony, RED, ARRI, and everything in between. He now spends his spare time using his trusted Leica M-E or Leica M2, shooting Street/Documentary photography as he sees it, usually in Black and White.
You must confirm your public display name before commenting
Please logout and then login again, you will then be prompted to enter your display name.