No AI was used in this photo - every detail was hand-crafted through multiple-exposure techniques
We delve into the story behind Traci Arney's photograph, 'Dance of Dragonflies'
Traci Arney is a US-based fine-art photographer whose work treads a fine line between reality and surrealism. She often achieves this through the use of composite photography, a process that involves capturing multiple images and then blending and altering them in Photoshop to create a dream-like composition. As a result, Traci’s images go beyond simply documenting reality; they are carefully composed so that they evoke a sense of wonder and contemplation.
‘Dance of Dragonflies’ was captured at sunrise at Myrtle Beach in South Carolina. Traci lay in the water for over an hour, photographing dragonflies as they darted through the scene. The soft pastel hues of the morning sky and the motion of the delicate insects created a surreal atmosphere. Her focus wasn’t just on the surrounding landscape or the early morning light, but on the dragonflies’ graceful flight patterns, as if capturing a dance suspended between reality and dream.
However, Traci’s biggest challenge came during post-processing. The final image is a composite of 12 individual photographs and 22 Photoshop layers, each carefully blended to maintain the transparency and delicacy of the dragonflies’ wings while ensuring that the scene remains cohesive. No AI was used in the process; every detail was hand-crafted through traditional composite techniques to create a seamless final piece.
‘Dance of Dragonflies’ is part of a broader body of work that explores the more surreal side of nature. Through her composite images, Traci invites viewers to pause, reflect and immerse themselves in the beauty and fragility of fleeting moments in time.
Tech details
Camera: Canon EOS R5
Lens: Canon RF 14-35mm F4L IS USM
Aperture: f/22
Shutter speed: 1/500 sec
ISO: 1250
This article originally appeared in Digital Photographer, a monthly magazine, and the kitbag essential for pros, enthusiasts, and amateurs alike!
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Kim is the Technique Editor of Digital Photographer Magazine. She specializes in architecture, still life and product photography and has a Master's degree in Photography and Media with a distinction from the FH Bielefeld University of Applied Sciences in Germany. While studying, Kim came to the UK for an exchange term at the London College of Communication. She settled in the UK and began her career path by joining Future. Kim focuses on tutorials and creative techniques, and particularly enjoys interviewing inspiring photographers who concentrate on a range of fascinating subjects including women in photography, the climate crisis; the planet, its precious creatures and the environment.