"Using an ultra-wide-angle lens was essential to include every element of the tower in my composition"

Torre del Mangia in Sienna, Italy - Photographed from the inside upwards with a 14mm wide-angle lens, showcasing symmetric and historical features
"Follow the lines until the light," says Sebastien, who used a strong wide-angle perspective and the predisposition of the human eye to move towards brighter elements to create direction in the frame (Image credit: Sebastien Lebrun)

Sebastien Lebrun is a master of architecture photography and is passionate about getting the scene right in-camera. 

I had the pleasure of interviewing him about his work and analyzing his image 'Italien frame'.  We discussed the techniques he used to capture the photo and why it works.. 

1. Extreme perspective

"In the city of Siena in Italy, you can’t miss the Torre del Mangia. However, at nearly 90m tall, it’s a challenge to photograph the tower without minimizing the medieval architecture. I was looking for a unique view instead of the typical shot from the nearby Piazza del Campo."

While wandering around the building, Sebastien discovered a small courtyard and opted to use this angle. "The challenge was to balance the disparity in brightness between the sky and the shaded buildings," he says. "Ideally, I would have used the exposure bracketing technique, but my shooting position didn’t allow it. So, I focused on exposing the buildings while ensuring the sky wasn’t overexposed."

2. Frame in a frame

"I composed the image intending to visualize a total immersion and to direct the viewer’s gaze upwards," says Sebastien. By choosing this composition, he created several successions of frames, leading the viewer’s attention from the architectural structures all the way up to the top of the tower. 

"Usually, the frame within a frame helps direct the eye, but here, I also wanted to highlight the structure. It is possible to discover the stone and architecture of the stained glass windows as well as the arches," he says.

3. Continuous symmetry

"Using an ultra-wide-angle lens (14mm) was essential here so that I could include every element of the tower in my composition. I also had to find the necessary perspective to showcase the architecture’s symmetry," Sebastien says. To do this, he had to lie on his back in the courtyard to include everything in the frame. 

"I had to be patient to obtain a shot without too much distortion while meeting the characteristics of an architectural photo," he says. "I did some slight cropping in post-processing, but I prefer to take my time when I’m in the field and get the best possible image in-camera."

4. Deviating elements

The meticulous symmetry and the composed nature of the frame may lead some to presume that the image has been AI-generated. However, there are some discernible indicators that attest to the authenticity of the scene. On the left, the sun slightly interrupts the symmetric pattern in brightness, creating an interesting element. 

"I went out early in the morning because I wanted the low sun to capture the cutout of the battlements, effectively breaking the monotony of the Gothic architecture. Also, the blue sky counterbalances the foreground darkness and offers an escape," Sebastien says.


Tech details

(Image credit: Nikon)

Camera: Nikon Z6 

Lens: Nikkor Z 14-24mm f/2.8

Aperture: f/5.6

Shutter speed: 1/160 sec 

ISO: 100


Black and white portrait of the photographer Sebastien Lebrun
Sebastien Lebrun

Sebastien Lebrun is a professional photographer based in Le Havre, France. He specializes in travel photography and has a particular passion for capturing urban environments and their architecture. His expertise also extends to landscape and astrophotography, where he often skilfully combines scenic vistas with a mesmerizing Milky Way backdrop.

Others in the Why Shots Work series

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This article originally appeared in Digital Photographer, a monthly magazine, and the kitbag essential for pros, enthusiasts, and amateurs alike!

Inside, you'll find practical guides, shooting tips, and techniques from working photographers, plus all the latest industry news.

Kim Bunermann
Technique Editor

Kim is the Technique Editor of Digital Photographer Magazine. She specializes in architecture, still life and product photography and has a Master's degree in Photography and Media with a distinction from the FH Bielefeld University of Applied Sciences in Germany. While studying, Kim came to the UK for an exchange term at the London College of Communication. She settled in the UK and began her career path by joining Future. Kim focuses on tutorials and creative techniques, and particularly enjoys interviewing inspiring photographers who concentrate on a range of fascinating subjects including women in photography, the climate crisis; the planet, its precious creatures and the environment.