Apple iPhone 16 review: catching up with the Pros

The iPhone 16’s video, audio and photo quality means you can leave your DSLR at home, especially when going on vacation!

Person holding up an Apple iPhone 16 in both hands to take a photo and smiling widely
(Image: © George Cairns / Digital Camera World)

Digital Camera World Verdict

If you shoot primarily to share your pictures on social media then the iPhone 16 is worth considering. The image quality is excellent and the new collection of Photographic Styles enables you to create a wide range of looks in seconds. Vloggers can capture better-quality sound in their video clips by dialing down unwanted background sounds, without needing to perform post-production tweaks on a laptop or MacBook. But if you need a more powerful optical zoom and the ability to shoot in ProRAW then consider stretching your budget for an iPhone 16 Pro.

Pros

  • +

    Audio Mix tools

  • +

    Photographic Styles

  • +

    Better spatial video

Cons

  • -

    Lack of ProRAW format

  • -

    Limited optical zoom (58mm)

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The iPhone 16 is the smallest and ‘cheapest’ device in the new iPhone 16 series, which also features the iPhone 16 Plus, the iPhone 16 Pro and the 16 Pro Max. We put the word cheapest in inverted commas because Apple’s iPhone’s are all expensive devices - indeed I’m still paying off a loan for my iPhone 14 Pro Max!

As this is Digital Camera World my review will focus on the iPhone 16’s role as a camera for capturing video and stills. If you’re an iPhone 15 owner who’s wondering whether to upgrade to the iPhone 16 then this review should help you make that decision. For owners of older models, the iPhone 16 has much more to offer in relation to processing power and camera functions - especially thanks to the inclusion of a Camera Control button that helps the iPhone behave more like a conventional camera - lots more on that feature in due course. You can now also shoot striking macro shots using the iPhone 16’s Ultra Wide lens - which is something you couldn’t do on the iPhone 15. But we’re getting ahead of ourselves in terms of cool photography features. Read on if you want to know more…

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ProcessorA18 chip, 6-core CPU with 2 performance and 4 efficiency cores, 16-core Neural Engine
Cameras48MP, 26mm, f/1.6 (Wide) | 12MP, 13mm f/2.2, 120° (Ultra Wide) | 12MP, f/1.9 (Front)
Display6.1” Super Retina Display, 2556x1179-pixel resolution at 460 ppi,Wide colour display (P3)
StorageUp to 512GB
Battery Built-in rechargeable lithium‑ion battery, up to 22 hours video playback
Ports USB-C
Dimensions147.6 mm x 71.6 mm x 7.80 mm
Weight170 grams
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FeaturesClips and stills look fantastic on Super Retina XDR display★★★★★
DesignNew Camera Control button enables tactile control of camera settings★★★★☆
PerformanceShoots in sand, sea and sun while producing excellent stills and clips★★★★☆
ValueExpensive, but the most affordable version in the iPhone 16 range★★★☆☆
Image

Apple iPhone 16 Plus

The main difference between the 16 and the 16 Plus (apart from price) is the Plus’s larger 6.7-inch all-screen OLED display (which trounces the iPhone 16’s 6.1 inch). This makes photos and clips look even better on the iPhone 16 Plus’s 2796x1290-pixel resolution (at 460 ppi). However, a large screen can force you to interact with the iPhone 16 Plus with two hands, as if working with a small tablet. The larger body of the iPhone 16 Plus makes it more impressive as a camera which is worth bearing in mind if you need to shoot clients and models.

Apple iPhone 16 Pro

Apple iPhone 16 Pro

If your budget can stretch to the Pro version of the iPhone 16 then you’ll be able to enjoy shooting and editing in ProRAW format. This enables you to take more control over post-production editing in Apple Photos plus third-party pro apps such as Lightroom and Photoshop Camera Raw. The non-Pro versions of the iPhone 16 are limited to shooting in JPEG and HEIF formats, which will be painfully limiting for a pro photographer to use exclusively. Oh, and videographers will enjoy shooting 4K footage at 120 fps which enables stunning high-res slow motion sequences.

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George Cairns

George has been freelancing as a photo fixing and creative tutorial writer since 2002, working for award winning titles such as Digital Camera, PhotoPlus, N-Photo and Practical Photoshop. He's expert in communicating the ins and outs of Photoshop and Lightroom, as well as producing video production tutorials on Final Cut Pro and iMovie for magazines such as iCreate and Mac Format. He also produces regular and exclusive Photoshop CC tutorials for his YouTube channel.