PGYTech OnePro Focux Backpack review: the most comfortable camera bag ever?

The rugged PGYTech OnePro Focux does its best to make camera-bag discomfort a thing of the past, but does it succeed?

5 Star Rating
Man wearing the PGYTech OnePro Focux Backpack in a green space, with a roundel showing the main compartment of the bag
(Image: © Future)

Digital Camera World Verdict

Back discomfort is synonymous with photography, and I can honestly say that the PGYTech OnePro Focux is the most comfortable camera backpack of its size I've ever used. The ability to adjust the height of the shoulder straps and lift the bag off your back to promote airflow isn't new to hiking backpacks. But this is the first time I've used a camera backpack with such technology. Sure, you're paying a premium price, but you're getting premium tech. Add to that a spacious main compartment and plenty of additional storage, and this rugged backpack is a great choice for the working content creator or serious enthusiast.

Pros

  • +

    The most comfortable camera backpack I've used

  • +

    Height-adjustable strap system

  • +

    Main bag sits off the back to promote airflow

  • +

    Plenty of main compartment space

  • +

    Lots of additional storage pockets

  • +

    Laptop pouch fits my 16-in MacBook

Cons

  • -

    Dividers could be thicker

  • -

    You're paying a premium price

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The PGYTech OnePro Focux Backpack is an interesting prospect because it was funded via Kickstarter. The question is, has its nearly 1,500 backers supported the development of a best camera backpack contender or a run-of-the-mill rucksack destined for the bargain bin?  

This newfangled camera bag is built for professional outdoor use and comes in 25L and 35L sizes. As you'd expect from a rugged outdoor backpack, it boasts splash-resistant materials, plenty of provision for additional accessories, and a rain cover for inclement weather. 

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Launch Price$349.95 / £360 / AU$599 (25L), £379.95 / £390 AU$649 (35L)
Size25L (WLD): 12.99 x 20.27 x 9.44 in / 330 x 515 x 240 mm, 35L (WLD): 12.99 x 22.24 x 9.44 in / 330 x 565 x 240 mm
Weight25L: 1.89kg / 4.16lbs, 35L: 2.05kg / 4.51lbs
Fabric materials76% CORDURA + 24% polyurethane / 100% polyamide
Lining materials 100% polyamide
ColorsSpace Black, Fern Green
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FeaturesThe AceFrame harness is the headline feature, and you get plenty of pouches and pockets to boot★★★★★
DesignComfortable, sturdy, and bursting with space for camera kit and extras★★★★★
PerformanceThe OnePro Focux's tech promises comfort and it delivers ★★★★★
ValueYou can find cheaper alternatives, but they won't boast the OnePro Focux's advanced tech★★★★☆
Shimoda Explore V2 35

Shimoda Explore V2 35
While it doesn't boast the advanced tech of the OnePro Focux, the Shimoda Explore V2 35 is still a comfortable backpack with height-adjustable straps. It boasts plenty of pockets – including easy side access – and the option for women's shoulder straps provides additional comfort for female content creators.

Manfrotto Pro Light Flexloader L

Manfrotto Pro Light Flexloader L
If you're looking for a more heavy-duty backpack that'll keep your kit safe, no matter what you throw at it (within reason), then the Manfrotto Pro Light Flexloader L is worth a look. Shock-proof dividers and a built-in lock will give you extra peace of mind that your expensive camera gear is safe and sound.

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Mike Harris
How To Editor

Mike is Digital Camera World's How To Editor. He has over a decade of experience, writing for some of the biggest specialist publications including Digital Camera, Digital Photographer and PhotoPlus: The Canon Magazine. Prior to DCW, Mike was Deputy Editor of N-Photo: The Nikon Magazine and Production Editor at Wex Photo Video, where he sharpened his skills in both the stills and videography spheres. While he's an avid motorsport photographer, his skills extend to every genre of photography – making him one of Digital Camera World's top tutors for techniques on cameras, lenses, tripods, filters and other imaging equipment – as well as sharing his expertise on shooting everything from portraits and landscapes to abstracts and architecture to wildlife and, yes, fast things going around race tracks...