Polaroid Now+ Generation 2 review: What's new in Gen 2? Three things – but only one makes a difference

What's the difference between the Polaroid Now+ Generation 2 and the original? Not a lot – but there's one upgrade that I'm grateful for

5 Star Rating
James Artaius holding a Polaroid Now+ Generation 2 in a woodland setting
(Image: © James Artaius)

Digital Camera World Verdict

The Polaroid Now+ Generation 2 is identical to the original bar three things: the logo has changed, it's 5,5g lighter and the Micro USB port has changed to a USB-C port. That's it. Everything else is exactly the same: great image quality, tripod mount, plus a fantastic app that unlocks creative features from double-exposures and light painting to aperture and manual modes, along with physical lens filters and a lens cap. It's my favorite Polaroid camera, but not different enough to merit an upgrade if you already own the OG model.

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This review will be fairly brief, because the Polaroid Now+ Generation 2 is essentially identical to the original camera. There are only three differences, and they're all physical – none make any difference to the performance of the camera.

The Polaroid Now+ Generation 2 is ever so slightly lighter than the Polaroid Now+ (to the tune of 5.5g), the logo has been updated, and the USB port has been updated. This is the only genuinely useful change, as the OG Now+ had a Micro USB connection and the Gen 2 now has a USB-C.

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Film typePolaroid i-Type, Polaroid 600Row 0 - Cell 2
LensStandard Lens 102.35mm (40mm full-frame equivalent), Close-up Lens 94.96mm (35mm equivalent)Row 1 - Cell 2
Shutter speed1/200-1sec (camera only), 1/200-30 sec and Bulb mode (via app)Row 2 - Cell 2
Aperturef/11, f/13, f/16, f/22, f/32, f/64Row 3 - Cell 2
FlashAutomatic (with override)Row 4 - Cell 2
PowerUSB-rechargeable lithium-ion 750mAh battery, 120 exposuresRow 5 - Cell 2
Dimensions150.16 x 112.2 x 95.48mmRow 6 - Cell 2
Weight451.5g (without film pack)Row 7 - Cell 2

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James Artaius
Editor

James has 22 years experience as a journalist, serving as editor of Digital Camera World for 6 of them. He started working in the photography industry in 2014, product testing and shooting ad campaigns for Olympus, as well as clients like Aston Martin Racing, Elinchrom and L'Oréal. An Olympus, Canon and Hasselblad shooter, he has a wealth of knowledge on cameras of all makes.