How to blend focal lengths in Affinity Photo – N-Photo 166 video tutorial

Trouble streaming the above video? View/download it here

Sometimes you can walk away from a location with the gnawing feeling that you didn’t quite find the best angle. It happened to me in Iceland here. I took lots of shots of the famous Kirkjufellsfoss mountain and waterfalls, but it was a struggle to capture the waterfalls and mountain from my position. I simply couldn’t frame the foreground waterfall without leaving the mountain looking puny in the distance, when in the flesh it felt huge and imposing.

This is often the case when shooting landscapes with a wide angle lens. We want to capture the details in the foreground, but the exaggerated perspective you get with a wide angle can leave the distant elements in the scene looking small and insignificant. The only way to make the distant details larger in the frame is to use a different lens or move closer to them, but this can mess up your foreground composition.

There’s a solution to the problem that you may not have thought of: focal length blending. For this we need to capture two frames – one wide, the other slightly zoomed in – then blend them together afterwards. Some might call it cheating, but it can result in better-balanced landscapes that might even convey how a place felt at the time more effectively than the exaggerated wide-angle version. It’s not a difficult editing task but it can work wonders on landscapes. The two frames are taken moments apart so the light remains consistent, which makes blending them together a simple task in Affinity Photo.

Download the project file(s) to your Downloads folder

N-Photo: The Nikon Magazine

N-Photo: The Nikon Magazine is a monthly magazine that's written by Nikon enthusiasts for Nikon enthusiasts, you can be sure that all the content is 100% relevant to you! So for the best Nikon-focused news, reviews, projects and a whole lot more, subscribe to N-Photo today – with our unmissable sub deal!

Check out our latest subscription offer!

James Paterson

The lead technique writer on Digital Camera MagazinePhotoPlus: The Canon Magazine and N-Photo: The Nikon Magazine, James is a fantastic general practice photographer with an enviable array of skills across every genre of photography. 

Whether it's flash photography techniques like stroboscopic portraits, astrophotography projects like photographing the Northern Lights, or turning sound into art by making paint dance on a set of speakers, James' tutorials and projects are as creative as they are enjoyable. 

He's also a wizard at the dark arts of Photoshop, Lightroom and Affinity Photo, and is capable of some genuine black magic in the digital darkroom, making him one of the leading authorities on photo editing software and techniques.  

Read more
A tall power line tower stands against a dramatic, cloudy backdrop, with multiple power lines extending from it. The lines are adorned with illuminated insulators, adding a subtle glow to the scene. Dark silhouettes of trees are visible on the left side, contrasting with the lighter sky above.
"The direction, shape, and type of guiding lines contribute to the mood of a photo"
A black-and-white image of a country cottage, with the original color version inset with an arrow used to illustrate the transition
Dull lighting won’t stop me from capturing landscapes – the answer is in black and white!
Colourful trees frame a small river, photographed with a long exposure
I love to shoot long exposures in the rain – here’s why I head to the woods!
Light painting
I created these psychedlic silhouettes using this amazing in-camera photo technique
Mountain valley during sunrise. Natural summer landscape
9 landscape photography tips I think every photographer should know
Kalum Carter
The importance of a photography series – why one image isn’t always enough!
Latest in Composition
A look-up image of tall buildings in London with red arrows indicating leading lines
I think leading lines photography is easy to understand and easy to implement – here’s how to upgrade your compositions FAST
Rule of thirds grid overlaid onto image of long-exposure coastal seascape at sunset
Rule of thirds photography gets a bad rap, but I think it’s the best compositional technique for beginners to learn
A tall power line tower stands against a dramatic, cloudy backdrop, with multiple power lines extending from it. The lines are adorned with illuminated insulators, adding a subtle glow to the scene. Dark silhouettes of trees are visible on the left side, contrasting with the lighter sky above.
"The direction, shape, and type of guiding lines contribute to the mood of a photo"
Art of seeing - abstract image of Samoan fish market
“To consult the rules of composition before taking a photograph is like consulting the rules of gravity before going for a walk”
Why Shots Work: Still-life Photography
“My still-life photos are inspired by Old Masters and modern still-life paintings”
Black and white landscape with cheat sheet infographic showing you the use of color filtration in black and white photography
Dive into B&W color theory to get the best possible monochromatic photos
Latest in Tutorials
Total lunar eclipse
How I’ll photograph the blood moon total lunar eclipse tonight, one of the best astrophotography events of the year
Wildlife portrait of a gannet in front of a clean green background
10 tips for wildlife photography from birds in flight to insect close-ups
Mountain valley during sunrise. Natural summer landscape
9 landscape photography tips I think every photographer should know
Bride and groom hold hands aloft backlit against the sun on their wedding day
Want to be a wedding photographer? Here are my 11 tips that will help you get there the RIGHT way
Colourful trees frame a small river, photographed with a long exposure
I love to shoot long exposures in the rain – here’s why I head to the woods!
What is ISO in photography?