How to capture cinematic close-ups – N-Photo 165 video tutorial

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Until recently, Warhammer was something my little brother used to do when we were kids in the '80s. But my 11-year-old son has got into it and now the house is littered with paints, brushes and all manner of lovingly crafted figures. I wanted to get involved but the dice-throwing was beyond me, so I reached for my camera.

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These figures are painstakingly painted by hand, a process that often takes days or weeks. So to do them justice we need to take a similarly in-depth approach to our photography and that starts with the composition. This is where we can get creative, placing figures around the frame, experimenting with angles, using different levels to fill the upper parts of the scene, adding details like rocks or moss. Then there’s the lighting, which gives you a chance to unleash your inner cinematographer. You can choose where to place your lights, adding special effects to enhance the mood.

The challenge with close-up photography is often the depth of field. We need plenty of it to ensure several figures are sharp. Often the only way to achieve this is to shoot for a focus stack over several frames.

This tutorial does not feature any project files

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James Paterson

The lead technique writer on Digital Camera MagazinePhotoPlus: The Canon Magazine and N-Photo: The Nikon Magazine, James is a fantastic general practice photographer with an enviable array of skills across every genre of photography. 

Whether it's flash photography techniques like stroboscopic portraits, astrophotography projects like photographing the Northern Lights, or turning sound into art by making paint dance on a set of speakers, James' tutorials and projects are as creative as they are enjoyable. 

He's also a wizard at the dark arts of Photoshop, Lightroom and Affinity Photo, and is capable of some genuine black magic in the digital darkroom, making him one of the leading authorities on photo editing software and techniques.