Andy Parkinson uses composition, aperture and knowledge of behaviour to capture compelling shots
A mountain hare, encrusted in ice, forms into a spherical shape as she begins to groom(Image credit: Andy Parkinson)
Meet the pro: Andrew Parkinson
(Image credit: Andy Parkinson)
Andy Parkinson is an award-winning wildlife photographer, regular National Geographic contributor and a recent Nikon ambassador. Working with wild animals only, he often speaks about conservation, animal rights and photo ethics.
Animals portraits are our way of trying to convey the character, personality and even the soul of the animal whose life we’ve set out to document. They are an invaluable tool in creating a connection between our species and theirs.
The main image here is as much about the conditions that day as it is about my relationship with this individual animal. I have known this particular hare now for three years, so when the perfect conditions were forecast – high winds, freezing temperatures and a big load of snow – it was the pleasure of her company that I sought out, high on her mountain plateau home.
The ferocity of the conditions that day represent the very upper limit of what I’m physically able to endure. In doing so, however, I was able to produce one of my most intimately compelling images, rich in detail and character.
I shoot every aperture between f/2.8 and f/22. Keep your mind open to creative possibilities, and decide in situ what part of the frame you’d like in or out of focus.
QUICK TIP!
I had spent many weeks learning the movement patterns of some local hares, so rather than crawling towards this one I simply got into position and waited (Image credit: Andrew Parkinson)
1. Shoot at eye level This is the best way to create a feeling of intimacy with your subject. It will also likely push the backdrop further away, thereby focusing the viewer’s attention on the only aspect of the image that is in sharp focus – the subject itself.
(Image credit: Andrew Parkinson)
2. Use your aperture creatively Don’t assume that the only technique for portraits is to use your widest aperture, such as f/2.8 or f/4. In this portrait I was shooting at f/10 to try to bring as much of the hare’s face and paws into sharp focus as I could.
(Image credit: Andrew Parkinson)
3. Give your subject room to breathe Portraits don’t always have to fill the entire frame. Sometimes including some of the habitat, or the conditions, gives the portrait some extra context and interest. Remember that it’s the personality/character of the subject that’s most important.
(Image credit: Andrew Parkinson)
4. Shoot flexibly
Just because your subject is static doesn’t mean that it will remain so. I often have a minimum shutter speed of 1/500sec, even for a stationary subject, in anticipation that something like this might happen.
Lauren is a writer, reviewer, and photographer with ten years of experience in the camera industry. She's the former Managing Editor of Digital Camera World, and previously served as Editor of Digital Photographer magazine, Technique editor for PhotoPlus: The Canon Magazine, and Deputy Editor of our sister publication, Digital Camera Magazine. An experienced journalist and freelance photographer, Lauren also has bylines at Tech Radar, Space.com, Canon Europe, PCGamesN, T3, Stuff, and British Airways' in-flight magazine (among others). When she's not testing gear for DCW, she's probably in the kitchen testing yet another new curry recipe or walking in the Cotswolds with her Flat-coated Retriever.
