How to shoot a vintage photograph at home using clever DIY tricks

Watch video: How to shoot a vintage-themed photograph at home

Vintage portraits might look old, but they never look dated. Long after Instagram filters have faded into obscurity, there will still be an appetite for vintage-style photography. In this tutorial we’re going to show you how to convert digital files into convincing vintage-themed portraits, all from the comfort of your own home.

We’ll also show you how to create a DIY vintage texture using little more than a piece of paper and a few tea bags. If you have any children – or grandchildren – this might be the perfect project to enlist their help and get them involved!

(Image credit: Mike Harris)

The portrait itself can be shot by a window, and if you don’t have a proper reflector you can use a roll of aluminum foil or a sheet of foam board. Your photograph’s appeal will be its vintage vibe, so don’t worry if your background isn’t exciting or if the lighting isn’t perfect. 

Once you’ve imported everything into Photoshop you can use blending modes to overlay textures onto the original shot. The tea-stained texture will provide an aged aesthetic, which can be amplified by overlaying a suitable Look Up Table (LUT).

So, read on and make your very own vintage portrait – it’s much more fun than just applying a ready-made filter!

Shoot your portrait

(Image credit: Mike Harris)

Step 1: Window light
We asked our model to stand by a large window, which was letting in plenty of sunlight. Switch your metering mode to spot, which will enable you to expose for the precise area where your focus point is positioned. This will help you to expose for your subject and not the bright window.

(Image credit: Mike Harris)

Step 2: DIY reflectors
If you want a little more control over your lighting, use a reflector to fill in the shadows. If you don’t have a reflector, try using a sheet of foam board, or a roll of aluminum foil. Foil is useful because it has dull and shiny sides, which can be interchanged to suit the intensity of light required.

(Image credit: Mike Harris)

Step 3: Camera settings
If you're using a modern mirrorless camera, you'll have the luxury of plenty of focus points (and maybe even Eye AF as well). If you're using a DSLR, make use of single-servo AF and single-point AF to focus on the eye that’s closest to the camera, focusing and recomposing accordingly. If you’re shooting in direct sunlight, be wary of overexposing the highlights; underexpose your image slightly, if you need to, and use your reflector to help fill in the shadows.

Create your own vintage texture

(Image credit: Mike Harris)

Step 1: One we made earlier 
It doesn’t take long to make your own textures – and once they’re done, you can use them in other projects as well. To create the vintage paper texture, you’ll need a thick sheet of white paper, a measuring jug and a tea light. You’ll also need a baking tray with a flat surface (since ridged baking trays will cause dark ridges to appear on your paper).

(Image credit: Mike Harris)

Step 2: Put the kettle on
Boil the kettle and place three teabags in the measuring jug. Fill the jug with roughly 400ml of boiling water and stir thoroughly with a spoon. Leave the liquid until it turns a dark, coppery brown. You may need to experiment with different strengths to achieve the desired paper effect.

(Image credit: Mike Harris)

Step 3: Paper traybake
Pour some of the liquid into your baking tray so it covers the bottom evenly. Put the paper in the tray and cover it with more liquid. Leave for eight minutes and then place in the oven at 350°F / 180°C. Check the paper regularly and do not leave it unattended. Ours took about five minutes to dry fully.

(Image credit: Mike Harris)

Step 4: Scrunch and singe
Once your paper is dry, you can scrunch and fold the edges to create cracks and dents. If you want to age it further, lightly singe the edges by quickly passing them through the flame of a tea light. Always adhere to strict fire safety precautions when working with naked flames. Ideally you'll want to work with two textures, so repeat the process again to create a second. 

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Photoshop magic

(Image credit: Mike Marris)

Step 1: Shoot or scan
Shoot or scan your vintage paper – we shot ours on a black T-shirt in natural window light. Now import it into Photoshop and crop it accordingly to suit the photograph you want to work with. 

(Image credit: Mike Harris)

Step 2: Make it mono
Open your portrait in Photoshop. Duplicate the ‘Background’ layer and click on the Adjustment Layer icon at the bottom of the Layers panel. Select Channel Mixer and tick the Monochrome checkbox. Use the Red, Green and Blue sliders to modify the image accordingly.

(Image credit: Mike Harris)

Step 3: Texture 1
Drag the first created texture onto your Photoshop document. Use the Scale tool to resize it so that it stretches across the whole canvas. Change the blending mode to Screen and use the Move tool to fine-tune the position of the texture. We were careful not to obscure the model’s face too much.

(Image credit: Mike Harris)

Step 4: Texture 2
Drag in your second texture and use the Scale tool to line up its corners with the corners of the canvas. Right-click on this layer and select Rasterize Layer. Use the Spot Healing Brush to remove any unwanted imperfections and set the blending mode to Multiply.

(Image credit: Mike Harris)

Step 5: Give it some punch
Add some punch to your subject by selectively erasing and reducing the opacity of the ‘Texture_2’ layer. Set the Eraser tool’s hardness to 0% and opacity to 37%. Erase areas you want to make more prominent. We paid attention to the face, sleeves and flower.

(Image credit: Mike Harris)

Step 6: The aging process
Highlight and right-click the upper layers (not ‘Background’) and click Merge Layers. Then, select the Color Lookup Adjustment Layer and click Load 3D LUT. Pick FallColors.look from the dropdown to produce an aged tone and lower the layer opacity.

(Image credit: Mike Harris)

About N-Photo magazine

This tutorial originally appeared in N-Photo, the monthly newsstand magazine for Nikon photographers. Why not subscribe to a print edition, and have the magazine delivered direct to your door every month?

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Mike Harris
How To Editor

Mike is Digital Camera World's How To Editor. He has over a decade of experience, writing for some of the biggest specialist publications including Digital Camera, Digital Photographer and PhotoPlus: The Canon Magazine. Prior to DCW, Mike was Deputy Editor of N-Photo: The Nikon Magazine and Production Editor at Wex Photo Video, where he sharpened his skills in both the stills and videography spheres. While he's an avid motorsport photographer, his skills extend to every genre of photography – making him one of Digital Camera World's top tutors for techniques on cameras, lenses, tripods, filters and other imaging equipment – as well as sharing his expertise on shooting everything from portraits and landscapes to abstracts and architecture to wildlife and, yes, fast things going around race tracks...

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