Everyone knows what Lightroom presets are, but how much attention do you pay to your Lightroom profiles?
(Image credit: Rod Lawton)
Lightroom profiles and presets might sound as if they do a similar sort of thing. Whatever a profile does, wouldn’t you be able to achieve something similar with a preset? Maybe, but profiles do have a particular significance and value in Lightroom.
Lightroom profiles are applied right at the start of the imaging process and before any manual adjustments. They control the way Lightroom interprets and converts the color values in the image file. They are like a starting point for everything else.
You could, perhaps, use Adobe’s generic Color profile and get a similar result with presets and edits, but not always, and you would have used up some of your processing ‘headroom’ at the same time. What you get with a profile is a much closer starting point to the look you want, meaning less editing and manipulation later.
The other thing is that you may not be aware just how many profiles you have to choose from, and it’s worth clicking the Browse button in the Basic panel to find out.
The first section to check out is the ‘Camera Matching Group’. If you ever think Fujifilm raw files don’t match the camera’s Film Simulations, this is where you need to go! Lightroom has profiles for Velvia, Provia, Classic Chrome and more.
And then further down the panel is Adobe’s own selection of ‘Artistic’, ‘B&W’, ‘Modern’ and ‘Vintage’ profiles. These can all give your images a strong, highly individual look without the need for presets and the adjustments they bring with them. The B&W profiles are especially strong, giving black and white images with much more depth than simple mono conversions or in-camera picture styles.
So before you spend hours (or cash) on Lightroom presets, make sure you’ve seen what Lightroom’s large collection of profiles can offer. These may bring you much closer to the ‘look’ you want than you realize.
Rod is an independent photography journalist and editor, and a long-standing Digital Camera World contributor, having previously worked as DCW's Group Reviews editor. Before that he has been technique editor on N-Photo, Head of Testing for the photography division and Camera Channel editor on TechRadar, as well as contributing to many other publications. He has been writing about photography technique, photo editing and digital cameras since they first appeared, and before that began his career writing about film photography. He has used and reviewed practically every interchangeable lens camera launched in the past 20 years, from entry-level DSLRs to medium format cameras, together with lenses, tripods, gimbals, light meters, camera bags and more. Rod has his own camera gear blog at fotovolo.com but also writes about photo-editing applications and techniques at lifeafterphotoshop.com