The best video tripods in 2024: Find the best tripods with fluid heads for shooting video at every level

Videographer with tropod on ice in McBride Inlet
(Image credit: Getty Images)

Video is a whole different ball game. When I’m shooting stills, I’m generally trying to capture a scene in one shot, or aiming to nail a definitive moment in time. I want a tripod that’s rock steady and won’t budge. Video is all about moving pictures, and movement is often the key ingredient. I’ll want to pan and tilt at will, to track the action. That means I’ll need a fluid head that lets me move the camera smoothly, giving my footage a dynamic, cinematic quality. Whether you're a vlogger or a filmmaker, a good video tripod is one of the wisest, most effective investments you can make.

Not just different by design in the way they work, video tripods also tend to have longer top plates than photographic ones, giving more versatility in positioning and balancing the camera. Another common feature is a counterbalance system that makes it easier to keep things on the level, and additional threaded sockets for attaching accessories like a mic, light, or monitor. Some also have leg-spreaders for extra stability and spirit levels for perfectly straight horizons. Check out our rundown of 7 ways video tripods are different from regular ones for a more thorough look at the key differences.

I've split this guide into sections for different types of users, from vloggers who want a lightweight solution to bigger, more stable options for filmmakers with heavy payloads. I’ll also be catering to different budgets so, wherever you are in your filmmaking journey, here are the best video tripods you can buy right now.

The Quick list

The best video tripod in 2024

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Best overall

(Image credit: Matthew Richards)
Best overall

Specifications

Weight: 5.8kg
Folded height, max height: 89.5cm, 171cm
Max load (legs): 12kg
Head: 504X Fluid Video Head

Reasons to buy

+
Smooth pan and tilt, adjustable fluidity
+
4-position counterbalance system
+
Smart range of advanced features

Reasons to avoid

-
Spreader sold as an optional extra
-
Overkill for lightweight cameras
-
Expensive

Built to an exceptional standard, this tripod kit is made with professional-grade video in mind. It’s robust enough to take a specialist cine camera or a pro-level full-frame camera, and gives rock-solid support. In my testing, I was delighted with the ease of setup, with single-twist legs making adjustments a breeze.

The head supplied in this kit is a work of art, with beautifully smooth pan and tilt, and adjustable drag to choose the degree of friction you want. This isn’t a cheap kit, but the fluid filming experience it delivers easily justifies the cost.

Read more: Manfrotto 504X 635 Fast Single Leg Carbon review

Best budget option

(Image credit: Jamie Carter)
Best budget option

Specifications

Material: Carbon fiber
Extended height: 61.41"
Folded height: 23.22"
Weight: 2.3kg
Leg sections: 3
Maximum load: 59kg

Reasons to buy

+
Lightweight design
+
186cm max. height
+
Fluid ball-head
+
Leveling bowl base
+
Multiple threads for accessories

Reasons to avoid

-
Feels a little flimsy
-
For lightweight set-ups only
-
Plastic joints and levers

The SmallRig AD-01 3751 does a convincing impression of a high-end product while being highly affordable. Eschewing any expensive materials, it’s entirely constructed using aluminum alloy and plastic, which makes it best considered for use with mirrorless cameras. 

With lots of advanced features for a low price, I think that the SmallRig AD-01 3751 deserves consideration by anyone on a tight budget who’s just starting out in videography and filmmaking and needs a capable entry-level tripod for a mirrorless camera. 

Read our full SmallRig Heavy-Duty Fluid Head Tripod review for more details

Best for lightweight

(Image credit: Jamie Carter)
Best for lightweight

Specifications

Material: Carbon fiber
Extended height: 180cm
Folded height: 60cm
Weight: 1.95kg
Leg sections: 4
Maximum load: 27kg

Reasons to buy

+
Excellent carbon fibre build
+
Built-in spirit level

Reasons to avoid

-
Very expensive
-
Spikes are slightly short

It's easily possible to spend a lot of money on a video tripod. The ProMediaGear TR344L certainly won't be for everyone, with a four-figure price tag that rules out casual users and those on a strict budget, however, it really is an excellent video tripod.

With a strong but lightweight carbon fibre build, it's great for run-and-gun filmmaking, with an option to swap out its flat plate for the ProMediaGear 75mm Bowl Head Adapter. It can be manipulated into all sorts of unusual configurations, for those difficult shots, and its rubber feet conceal little spikes for a bit of extra grip. 

Read our full ProMediaGear TR344L Pro-Stix review for more details

Best base

(Image credit: Rod Lawton/Digital Camera World)
Best video tripod base

Specifications

Material: Carbon fiber
Extended height: 61.41"
Folded height: 23.22"
Weight: 2.3kg
Leg sections: 3
Maximum load: 59kg

Reasons to buy

+
Surprisingly tall given its folded size
+
Flat and bowl plates included
+
Immensely strong

Reasons to avoid

-
You’ll need to get a head separately
-
No center column
-
It’s expensive!

Make no mistake, the 3 Legged Think Nicky is a professional-level tripod for a discerning audience. Made for photographers and videographers working with heavier kits, it’s strong, straightforward to use, tall, and adaptable. 

It’s a base, not a kit, however, so unless you have these things already (many photographers will), you’ll also need to budget for a head and, for video, perhaps a leveling bowl too. In my tests, I used the Nicky with 3 Legged Thing AirHed Cine head and 75mm Half Bowl. They play really well together!

 Read our full 3 Legged Thing Nicky review for more details

Best all-in-one

(Image credit: 3 Legged Thing)

5. 3 Legged Thing Mike with Quick Leveling Base and AirHed Cine Head

Best all-in-one video tripod

Specifications

Material: Carbon fiber
Extended height: 147.5cm
Folded height: 66.7cm
Weight: 1.65kg
Leg sections: 3
Maximum load: 14kg

Reasons to buy

+
A triumph in cool design
+
Minimum height of 13.5cm
+
Large payload for weight

Reasons to avoid

-
Not the highest reach
-
No counterbalance adjustment
-
Fixed pan and tilt drag

Once you've gotten over the unusually long name of this British-designed tripod, you're faced with a rather good bit of kit. The three-sections legs are made from carbon fiber which massively helps to keep weight down. These can also be detached for, a monopod or boom arm or alternatively, splayed out so the head is positioned very close to the ground, perfect for wildlife filmmaking. 

3 Legged Thing even sells accessories that will convert the head to a hi-hat style tripod just 13.5cm from the floor, which is a great feature to have in a single tripod. It also features an Arca Swiss-style base plate and there are a variety of feet to choose from depending on what surface you're using it on.

See our 3 Legged Thing AirHed Cine video head review

Best for students

(Image credit: Libec)

6. Libec TH-X

Best video tripod for students

Specifications

Material: Aluminum
Extended height: 159cm
Folded height: 75.5cm
Weight: 3.1kg
Leg sections: 3
Maximum load: 4kg

Reasons to buy

+
Traditional design with spreader
+
Fast to set up 
+
Comes with carry case

Reasons to avoid

-
Not very compact to carry
-
No drag/counterbalance adjustment
-
Lower head quality

The Libec TH-X tripod kit is a traditional-style video tripod, made by a Japanese company that has lots of experience in making tripods for filmmakers. It has a twin tube leg set-up, which is fast to use and stable, as well as a mid-level spreader to get it set up quickly. It’s not too heavy and takes Manfrotto-fit tripod plates which are very popular. 

It has a relatively basic fluid head that’s the limiting factor in both the maximum payloads of just 4kg and its basic design. The pan and tilt movements are good, but the drag is not adjustable and there’s no counterbalance adjustment. The tripod is a 65mm bowl fitment, so putting on a better head in the future is the best option.

Best for professionals

(Image credit: Sachtler)

7. Sachtler 4585 Flowtech 75 MS

Best video tripod for professionals

Specifications

Material: Carbon fiber
Extended height: 153cm
Folded height: 68cm
Weight: 2.9kg
Leg sections: 3
Maximum load: 20kg

Reasons to buy

+
Quick-adjust legs 
+
Carbon fibre
+
75mm bowl head fitting
+
Big payload

Reasons to avoid

-
Not the most compact
-
Doesn’t come as a kit

The Sachtler Flowtech 75 MS Carbon Fibre Tripod comes equipped with a mid-level spreader that is very different from the regular single or double carbon fiber tube designs as it has very wide, almost flat legs. Each leg features a single clamping lever that locks and unlocks the sections, so you can set the whole lot up with just three locks, which all sit together at the top of the tripod, making slight adjustments on the fly a breeze. 

Each leg extends independently and when detached from the spreader, each leg can pivot without affecting the other legs. It’s designed to be comfortable to shoulder-carry, too. Of course, you need to budget for a suitable head, such as the Sachtler Ace XL or FSB 8 T. 

How we test video tripods

We test and review at Digital Camera World by subjecting photo and video equipment to a range of in-house lab tests and in-the-field shooting exercises, designed to give us a thorough sense of how a piece of gear performs. For video tripods, we check stability, ease of setup, smoothness of operation, portability and height range, and use our findings to inform our comments in buying guides like this one. 

Sebastian Oakley
Ecommerce Editor

For nearly two decades Sebastian's work has been published internationally. Originally specializing in Equestrianism, his visuals have been used by the leading names in the equestrian industry such as The Fédération Equestre Internationale (FEI), The Jockey Club, Horse & Hound, and many more for various advertising campaigns, books, and pre/post-event highlights.

He is a Fellow of the Royal Society of Arts, holds a Foundation Degree in Equitation Science, and holds a Master of Arts in Publishing. He is a member of Nikon NPS and has been a Nikon user since his film days using a Nikon F5. He saw the digital transition with Nikon's D series cameras and is still, to this day, the youngest member to be elected into BEWA, the British Equestrian Writers' Association.

He is familiar with and shows great interest in 35mm, medium, and large-format photography, using products by Leica, Phase One, Hasselblad, Alpa, and Sinar. Sebastian has also used many cinema cameras from Sony, RED, ARRI, and everything in between. He now spends his spare time using his trusted Leica M-E or Leica M2, shooting Street/Documentary photography as he sees it, usually in Black and White.